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Prestudy to Sitting Nude by Jacob Merkelbach – 24-03-24 Drawing

Corné Akkers

Netherlands

Drawing, Pastel on Paper

Size: 19.6 W x 25.4 H x 0 D in

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About The Artwork

Jacob Again This charcoal and pastel drawing ‘Prestudy to Sitting Nude by Jacob Merkelbach – 24-03-24’ is made under two hours. On a whim really because this afternoon I went to Brugman Art to teach model sketching. 7 enthusiasts but not experienced persons I wanted to give an example what to expect. As to drawing I also want to show students how I personally render the human figure. So I went early in order to get ready for the session and to set up a sketch. Of late I have disccovered the works of Jacob Merkelbach I have mentioned before. In fact, my last drawing was based on one of is beautiful photos. The pose of the woman shown in the picture was gorgeous and the posture simple at the same time. Doable under an hour I had before the group arrived. Under Two Hours Actually, I was finished doing the pose and the right proportions under half an hour. So I had the opportunity to show what I’m all about: tonality. I had only charcoal available. Thus the setup remained a bit pale. However, back home I decided to spend another half an hour to darken things up with Conté carré noir. Somehow I thought this might as well serve as a prestudy for a graphite pencil drawing. As such that always is meant as study for an oil painting. Obviously a prelude to a prelude more or less. It’s jolly good fun to do and show these sketches. See what the contrast in quality is between stuff I worked on for hours and those drawn quickly. Which works do you prefer? Pastel drawing on paper (49.8 x 64.6 x 0.1 cm) Artist: Corné Akkers

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:19.6 W x 25.4 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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