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Roundism – 17-11-18 Drawing

Corné Akkers

Netherlands

Drawing, Color on Paper

Size: 8.3 W x 11.7 H x 0.1 D in

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$1,695

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Roundism – 17-11-18 This is the fourth drawing of model Julia Gómez Alivés in which I combined my roundism with colors. I washed them a little bit with a Sakura water brush that works like a fountain pen. I am not a great watercolorist and since this technique is pretty new to me these watercolor p...

Year Created:

2018

Subject:
Medium:

Drawing, Color on Paper

Rarity:

One-of-a-kind Artwork

Size:

8.3 W x 11.7 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

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Need more information?

1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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