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san Drawing

Philip Leister

Drawing, Paint Pen on Canvas

Size: 14 W x 11 H x 0.5 D in

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About The Artwork

"Ugh, I smell like a human." -San (Princess Mononoke) San, otherwise known as Princess Mononoke or the "Wolf Girl," is the main character, along with Ashitaka, in Princess Mononoke. She acts, behaves, and resembles a wolf due to the fact that she was raised by wolves themselves. San is the Princess of the Wolf Gods. When San was a baby, the wolf goddess Moro attacked her parents, who were found damaging the forest. Her parents threw San to her feet and ran away. Moro raised San as her own daughter, and in turn San treats Moro as her mother and Moro's two natural pups as her siblings. San's primary concern is protecting the forest and the animals she lives with. San rejects her own humanity and even thinks of herself as a wolf. She has suicidal thoughts and attempts to assassinate Lady Eboshi of Irontown many times, as San believes that Eboshi's death will result in the end of Irontown and human growth into the surrounding, untouched forest. It is only by Ashitaka's affection to her that she slowly comes to acknowledge her human side as well. After the battle for the Forest Spirit's head, San tells Ashitaka that he is very dear to her. However, she cannot forgive the human race for what they have done to the forest and will continue to live apart from them. San returns to the forest while Ashitaka remains in Irontown. Before separating, Ashitaka promises that he will always be near and he will visit her in the forest whenever he can. San reciprocates his declarations and leaves. San is a beautiful young woman of average build who wears ragged clothing and a cape made of a wolf's fur, and has what appears to be amaranth red war paint on her face. She wears a head necklace with a single small gem in her front. She also bears short, straight, earthy brown hair and has dark blue eyes with bangs slightly parted in the middle. She has a medium necklace with three fangs tied across her neck. She wears long, dangling, oval shaped earrings during the whole film. She is also very agile, fast, fairly strong and appears to be really good at using daggers and spears. She wears a mask which is her iconic feature. The mask is red with ears and white wavy lines and three sunshine yellow holes for a mouth and eyes. Albeit a literal warrior-princess, San is fundamentally defined by her appreciation of nature. Being adopted by the wolf goddess Moro when she was but an infant, the "Wolf Girl", as expected, develops a wild personality. However, despite her (justified) coldness towards humans, she is highly capable of compassion. This is initially a quality she only exhibits towards the inhabitants of the forest (animals, gods, and other beings), but as later shown throughout the movie, by the slow and gradual, but real progress of hers and Ashitaka's bond, she is also able to accept and develop admiration, and even affection for a fellow human - a process that also helps her accept her own humanity. She is stubborn, short-tempered, courageous, and protective, her primary concern being to protect the forest and animals she lives with. At first, San rejects her own humanity and seems to be quite misanthropic, also thinking of herself only as a wolf. Despite this, she eventually falls in love with Ashitaka, who was the first to fall for her. Source: Ghibli Wiki Princess Mononoke (Japanese: もののけ姫, Hepburn: Mononoke-hime) is a 1997 Japanese epic fantasy film written and directed by Hayao Miyazaki, animated by Studio Ghibli for Tokuma Shoten, Nippon Television Network and Dentsu, and distributed by Toho. The film stars the voices of Yōji Matsuda, Yuriko Ishida, Yūko Tanaka, Kaoru Kobayashi, Masahiko Nishimura, Tsunehiko Kamijo, Akihiro Miwa, Mitsuko Mori and Hisaya Morishige. Princess Mononoke is set in the late Muromachi period of Japan (approximately 1336 to 1573 CE), but it includes fantasy elements. The story follows a young Emishi prince named Ashitaka, and his involvement in a struggle between the gods of a forest and the humans who consume its resources. The term Mononoke (物の怪), or もののけ, is not a name, but a Japanese word for supernatural, shape-shifting beings that possess people and cause suffering, disease, or death. The film was released in Japan on July 12, 1997, and in the United States on October 29, 1999. It was a critical and commercial blockbuster, becoming the highest-grossing film in Japan of 1997, and also held Japan's box office record for domestic films until 2001's Spirited Away, another Miyazaki film. It was dubbed into English with a script by Neil Gaiman, and initially distributed in North America by Miramax, where it sold well on DVD and video, despite a poor box office performance; however it greatly increased Ghibli's popularity and influence outside Japan. Source: Wikipedia Note: This is a piece that I found recently (among many others) which I worked on in early January of 2018, around the time that I did ‘Modern Times’. And like ‘Modern Times’ it remains “unfinished”, but done.

Details & Dimensions

Drawing:Paint Pen on Canvas

Original:One-of-a-kind Artwork

Size:14 W x 11 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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