""Self-Portrait", 2003" Drawing
Drawing, Paint on Paper
16.5 W x 20.5 H in
Framed
$1,322.02
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ABOUT THE ARTWORK
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“It seems I cannot distinguish anything as separate from myself so perhaps after all, I am the anything I observe”. (Helen Chadwick in Effluvia: Helen Chadwick , exhibition catalogue, essay M. Allthorpe-Guyton, London, Serpentine Gallery, 1994, p.13.) Almost everyone is a narcissist, somehow. The u...
Year Created:
2003
Subject:
Styles:
Mediums:
Drawing, Paint on Paper
Rarity:
One-of-a-kind Artwork
Size:
16.5 W x 20.5 H x 0.8 D in
Ready to Hang:
Not Applicable
Frame:
Other
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Portugal.
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| Sofia Cravo in Lisbon, Portugal (1983) .
Currently living and working in Leiria as Visual Artist, Art Teacher and Visual Merchandiser (Decoration). Graduated in Fine Art, with a Bacherol Honours Degree in Painting at Faculty of Fine Art, University of Lisbon, Portugal (2007). Holds a Masters MA Fine Art at Birmingham City University, England (2009). Postgraduate Diploma in Visual Arts Education, University of Aveiro (2012). Recently specialized in Art Therapy, by the European University Miguel de Cervantes (2021)|
Complementary formation:
Art Therapy, Jewellery, Decoration, Graphic Design, Photography.|
- Since 2010 exhibits at Salon du Louvre, in Paris. - Frequently participates in National and International exhibitions. Work represented in several National and International Collections.
| ABOUT MY WORK
My practice incorporates notions of identity and the self as creative source, appearing as a form of memoir and subjective experience. The vision of myself and my work is covered with many layers of misty images, capturing absence and presence of my body and mind, things are partially or mostly veiled and camouflaged by a skin or a mask. I collate a reservoir of symbolic references. A tactile space dominates, aiming past languages and past stories. The pieces have parallel versions of stories and histories petrified and perpetuated as emblems and symbols, that move through different timelines, I and the "other side of the mirror". |
(under construction)
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