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"Strange Existence" Drawing

→ Chris Raven, United Kingdom

Drawing, Ballpoint Pen on Pressed Cardboard

33 W x 23 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$3,350

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


My original contemporary expressionist artwork explores shape, movement, texture and the relationship between dark and green tones. Created entirely by hand using ballpoint pen, it features interlocking forms that twist, fold and weave together. Repeated pen strokes build intricate detail, layered ...

Year Created:

2007

Subject:

Mediums:

Drawing, Ballpoint Pen on Pressed Cardboard

Rarity:

One-of-a-kind Artwork

Size:

33 W x 23 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Chris Raven

About the Artist

Chris Raven

United Kingdom

I have been a self-taught expressionist artist for many years, working with ballpoint pen and pencil. My original drawings explore the relationship between colour, geometry, texture and movement, taking inspiration from the freedom and individuality of the Expressionism movement.

I enjoy moving away from realism, using distorted forms, irregular shapes and expressive lines to create compositions that are open to interpretation. I am particularly interested in organic forms and the unexpected patterns that emerge when different elements come together.

My approach is intuitive rather than planned. I start drawing and let the composition develop as I work, responding to the marks, shapes and colours as they appear. This allows me to experiment freely and discover possibilities I might not have considered beforehand. I want each drawing to have its own character, with a sense of movement and detail that invites the viewer to look more closely and draw their own conclusions.

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