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"The Escaping" Drawing

→ Sebastian Lindqvist

Drawing, Pencil on Paper

8.3 W x 11.7 H in

Framed, Ready to Hang

$530

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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This is artwork for a book project I've been working on for almost four years now. The book will be released at the end of this year or early in 2027. The book's preliminary name is Age of Evil: Through the eyes ...

Year Created:

2024

Subject:

Mediums:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

8.3 W x 11.7 H x 0.3 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Sweden.

Need more information?

Contact us.

Need more information?

Contact us.

My Honest Autobiography

One of my greatest idols once said that “success is just psychological,” quoted from the song Caught in Hustle by Immortal Technique.

For me, success meant simply living past twenty-five. I had already dealt with loneliness, depression, and suicidal thoughts as early as twelve years old. I was bullied and exposed to a lot of violence, and my father, a military man, was the only parent around. I lacked the intimacy and comfort of having my mother by my side, someone who could have taught me that it was okay to be sad instead of angry. And I was angry.
I never shared my emotions growing up because I believed that crying in front of teachers would only make things worse at school. As a child, I also grew up believing that crying was only for girls and gay people.
I also learned that if I was going to survive the city, I had to stand up for myself—to not be devoured by it. We moved from a small town called Skövde to the big city of Stockholm. With no siblings, friends, or relatives around, I found my own way through life, and violence became a common part of it. It wasn’t just me—tense and chaotic moments were happening all around. In fourth grade, I witnessed a guy get robbed at knifepoint, and the painful part is that I was with the one who did the robbing.
I was invited because I was known as a tough kid, but I was also quiet, and no one knew I was deeply into art and social justice. Everything happened so fast that I didn’t fully understand what was going on, and I couldn’t stop it. At first, I thought maybe the guy owed him money or had done something wrong. After that night, I never associated with those guys again. I was against unprovoked violence.
I was really just seeking solitude. I was deeply hurt by my parents’ divorce and by having to move away from my mom and sisters. I shut myself off from relationships and companionship, choosing instead to stay inside my own world. I would sit in silence, drifting away from reality and into my art. The fantasy world I created in my mind felt more just and fascinating than the life I was living.
Even from a young age, I noticed how hate and jealousy spread like diseases. Racism, social gaps, and other injustices had concerned me since second grade. Any violence I showed was only a way of protecting myself, because I didn’t know how to express things like “stop,” “you’re hurting me,” or “your words affect me.

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