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This piece is inspired and made within a process of the unconscious taking up morphological aspects of some insects that I have been concerned to find in my garden. The taste for the natural world and specifically the botanical and entomological world opened the doors for me to enter a universe of textures, tonal ranges and infinite details.
The work is made with mixed technique, going from graphite to natural dyes made with completely natural elements and made by me and later applying ink to the drawing. This work is made of 100% cotton paper. The piece is floated on a shadow box frame in pine wood with patina ready to inhabit a special space.
This piece is inspired and made within a process of the unconscious taking up morphological aspects of some insects that I have been concerned to find in my garden. The taste for the natural world and specifically the botanical and entomological world opened the doors for me to enter a universe of textures, tonal ranges and infinite details.
The work is made with mixed technique, going from graphite to natural dyes made with completely natural elements and made by me and later applying ink to the drawing. This work is made of 100% cotton paper. The piece is floated on a shadow box frame in pine wood with patina ready to inhabit a special space.
This piece is inspired and made within a process of the unconscious taking up morphological aspects of some insects that I have been concerned to find in my garden. The taste for the natural world and specifically the botanical and entomological world opened the doors for me to enter a universe of textures, tonal ranges and infinite details.
The work is made with mixed technique, going from graphite to natural dyes made with completely natural elements and made by me and later applying ink to the drawing. This work is made of 100% cotton paper. The piece is floated on a shadow box frame in pine wood with patina ready to inhabit a special space.
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Vespulepido soptera Drawing

Daniel Bahena

Mexico

Drawing, Graphite on Paper

Size: 8.1 W x 9.6 H x 1.6 D in

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SOLD
Originally listed for $411
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About The Artwork

This piece is inspired and made within a process of the unconscious taking up morphological aspects of some insects that I have been concerned to find in my garden. The taste for the natural world and specifically the botanical and entomological world opened the doors for me to enter a universe of textures, tonal ranges and infinite details. The work is made with mixed technique, going from graphite to natural dyes made with completely natural elements and made by me and later applying ink to the drawing. This work is made of 100% cotton paper. The piece is floated on a shadow box frame in pine wood with patina ready to inhabit a special space.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:8.1 W x 9.6 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a plastic artist from Mexico. My work is always an introspection towards what has marked me since childhood, the latent memory of living in a city of overwhelming nature (Cuernavaca), with direct contact with natural beings, friends and accomplices of encounters within a same habitat, where the messages are palpated from a reality parallel. All these connections developed in my house in the childhood located right on the side of a ravine, which gave me the encounter and the language have always been in this relationship man-nature. Drawing is the medium in which I can extend each of the codes on paper and alternative substrates; the paper has been one of the most important materials, developing my work to through various techniques such as the use of ink, dyes Natural, Graphite, Watercolor, Acrylic, Etched, Encaustic and Paper Cut. Currently my work is in a constant evolution rooted in certain inclinations towards my natural environment, metaphysical, the occult and my wild state, which it is plagued with the organic and imaginary context of my beings.

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