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2.3 - Pacific Billboard (uv light) Installation

Anthony Morabito

France

Installation, Paint on Paper

Size: 79.1 W x 237 H x 1.2 D in

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231 Views
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About The Artwork

Installation: Paint, Paper and Resin Size: 237 H x 78.7 W x 1.2 in Soon in english - L’œuvre présente l’argent sous sa forme propagandiste. Ce n’est plus une « palissade » mais bien plusieurs « billboards » sur lesquels s’étalent les billets composés de milliers de points et de plusieurs pièces de papier de couleur, à l’image de l’affichage publicitaire et des billets du jeu. Le point rond d’impression grand format cède la place à un pointillisme en triangle équilatéral. Les billets reconstruits sont ensuite travaillés avec des couleurs fluorescentes et phosphorescentes, symbolisant la radioactivité qui s’en dégage et se découvrant de plusieurs façon en fonction de la lumière. À l’instar des vrais billets que l’on glisse sous la lampe pour en percevoir l’authenticité. Tout comme dans la réalité, les « coupures » supérieures à 1 $ sont traversées d’une bande. Magnétique sur les billets de banque, phosphorescente dans le cas présent, elle est faite de traits et de points, écrivant en bon vieux code morse les exclamations suivante, dans l’ordre croissant: fuck it, hide it, make it, wash it, grow it et obey it. Les 7 pièces de la série sont chacune une partie de cette plus grande installation. http://www.anthonymorabito.net/2-3

Details & Dimensions

Installation:Paint on Paper

Original:One-of-a-kind Artwork

Size:79.1 W x 237 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Through my work, I play around our symbols, our fake divinities and our familiar objects in order to shed on them a more revealing and striking light, one closer to my perception of our civilization and of how it has been, and is still being built, lead, driven and motioned. I explore my favorite themes with the sense of humor of a curious child repurposing his toys – geopolitics, history, technology, the environment and, more sporadically, sex. I have always been amazed at the contrast between nature and civilization. The natural part of our world is full of wonders, of resources and sensations that civilization has somehow driven us away from, almost estranged, thus preventing us from achieving complete upbringing as a species. To me, the complex world built by man is disorienting, disharmonious with God’s original work as I embrace it – the planet that let us be born. And yet, its overall creativity flirts with the Divine. My work allows me to take a stand but never in a Manichean way, as good and evil appear to me as subjective notions after all. Black and white are not true colors but grey is, rich of thousands of hues. Multi-faceted by nature, I explore several media and choose to fit them to the topics they aim to reveal. The desire to venture into various aspects of ideas and to decipher their most intricate details is extremely important, although I will allow myself a salutary improvisation whenever the theme feels right.

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