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I am not the kind of person who can miss the opportunity of a conversation with a teapot...These installations are trying to recapture the spirit of an era and at the same time the eternal questions and emotions, small or big, of women and homemakers everywhere. 

Front window/Rear window circa 1937
It seems to be trendy now but for a few decades knitting was left to sweet grandmas with grey buns perched on their head...Back in 1937, knitting was part of necessary homemaking skills but apparently the mind could wander a bit ...
I am not the kind of person who can miss the opportunity of a conversation with a teapot...These installations are trying to recapture the spirit of an era and at the same time the eternal questions and emotions, small or big, of women and homemakers everywhere. 

Front window/Rear window circa 1937
It seems to be trendy now but for a few decades knitting was left to sweet grandmas with grey buns perched on their head...Back in 1937, knitting was part of necessary homemaking skills but apparently the mind could wander a bit ...
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Front window/Rear Window Installation

lau costantini

United Kingdom

Installation, Found Objects on Cardboard

Size: 11 W x 15.7 H x 7.9 D in

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SOLD
Originally listed for $190
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About The Artwork

I am not the kind of person who can miss the opportunity of a conversation with a teapot...These installations are trying to recapture the spirit of an era and at the same time the eternal questions and emotions, small or big, of women and homemakers everywhere. Front window/Rear window circa 1937 It seems to be trendy now but for a few decades knitting was left to sweet grandmas with grey buns perched on their head...Back in 1937, knitting was part of necessary homemaking skills but apparently the mind could wander a bit ...

Details & Dimensions

Installation:Found Objects on Cardboard

Original:One-of-a-kind Artwork

Size:11 W x 15.7 H x 7.9 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work is about capturing those small emotions building us, moving us, supporting us every day . All those create the map defining each one of us as unique and the maps giving us paths to other beings heart, soul and life. I use mostly oil because of its versatility and collage because of the patchiness just like life itself. Since I am also a dancer and a writer, music and stories are also a big component.

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