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Killer Queen Installation

Remi Rana Allen

United Kingdom

Installation, Found Objects on Soft (Yarn, Cotton, Fabric)

Size: 35.4 W x 35.4 H x 35.3 D in

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About The Artwork

Killer Queen The similarities between ancient females in Rome and in India was striking. There were three categorisations of women based on their sexuality, Mother, Virgin or Prostitute. This fascinated me and I explored the concept through the mythology of Medusa, an icon of the tale of the Vagina Dentata. The myth began with Medusa being raped by Poseidon in Athena’s temple, a part of the story that is not often narrated. Her beauty was envied and caused jealousy, she was ultimately punished by Athena. Previously sourced Indian hair extensions from Delhi, which I transported to Rome - my desire was to create an installation that would represent the black haired, dark skinned woman who was self-governing. 'Killer Queen' became my interpretation of the head of Medusa. I collected a stone head from the Director’s private garden and methodically created fifty snakes from the hair extensions. Further research discovered hairstyles worn by the Vestal Virgins, seven braids formed with red and white cotton, I recreated these seven braids and they were placed amongst the snakes. The mix of Indian and Western was now complete and Medusa represented the Indo-European myth. My Medusa was to remain beautiful and narrate her sexual abuse through the red taped eyes. This allowed the viewer to gaze upon her without fear. The small circular mirrors among her red snaked hair paid lip service to her myth. Then, to protect my Medusa I applied a red bindi on her forehead, this was her third eye chakra. She became an important companion in the studio for over three weeks, she remained to me a beautiful woman, who suffered abuse and was cast as the ‘other' because of her visual identity. My interpretation of the birth of Pegasus from her neck after her decapitation, was that of an ejaculation of her demons.

Details & Dimensions

Installation:Found Objects on Soft (Yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:35.4 W x 35.4 H x 35.3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Few collections of art manage to address multiple themes as expertly as Remi Rana Allen’s Holes exhibition, held at Chelsea College of Art in the autumn of 2019. With vision, a broad range of techniques and a degree of courage which many of us would fail to match, the Buckinghamshire-based artist explores modern perspectives on gender politics, sexual mores and the complex intersections of culture, language, nationality and identity. Holes offers the viewer an emotive experience fuelled by Allen’s personal history and redemption from personal trauma. As she explains, “My practice mirrors the slow dilution of my cultural heritage as it seeps further from my grasp,” an evolving journey that seeks to investigate, and ultimately define, British-Asian female identity. If all this sounds intimidating, think again. Although Holes tackles life’s biggest and darkest subjects – the psychology of sex and the fragility of life among them – the artworks are bound inextricably to a defiant, irreverent sense of humour. This is immersive art to be enjoyed and cherished, not simply seen, and as long as you keep an open mind – perhaps with your own mental Holes ready to be explored? – you will walk away with expanded horizons." Joel McIver. The Guardian. The Quietus.

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