VIEW IN MY ROOM
Sáquenme de aquí 2 Installation
Venezuela
Installation, Digital on Other
Size: 26.8 W x 19.7 H x 2 D in
Ships in a Tube
About The Artwork
The man is always the builder of a prison. And you do not know a man until you know what jail has been built. Sometimes it seems only his own, but it is always also that of others. And it is not enough to build the prison: the jailer also contributes. The only thing that man does not put is the material to make the prison, because it is everywhere. But there is something else we do not know who puts it: the fuel for the fire. Because if every man is the history of his prisons, the sorry story of a former inmate who returns to his prison or inaugurate another, sometimes it's also the story of burning by setting fire to the largest of their prisons. Or not even the biggest: the one that was in the limit. Robert Juarroz's poem
Details & Dimensions
Installation:Digital on Other
Original:One-of-a-kind Artwork
Size:26.8 W x 19.7 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Venezuela.
Customs:Shipments from Venezuela may experience delays due to country's regulations for exporting valuable artworks.
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Venezuela
The objective of my art is to make visible the invisible, what is not seen but feels. My work is about saving life on earth from the use of the 3R, reduce, recycle, reuse to which I add resemantizar. I do my work with my body, seeing through the eyes of the spirit, hearing the truth, breathing hope, speaking to heal, bless and prosper, beating with all my might, working with the hands of love and dancing with my victorious suns. The streets are my imagination and matter. I want to unleash an unlimited love for life in my audience. The girl asked: why can not we see the picture now? And the father invented instant photography. Since then: 1947, we live in an immense NOW.
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