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Stella Maris Installation
Italy
Installation, Metal on Iron
Size: 118.1 W x 59.1 H x 9.8 D in
Ships in a Crate
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About The Artwork
Stella Maris is "the Star of the Sea": the star guiding the route of the navigators. The artwork is the result of a project begun taking pictures of some immigrants, most of all homeless, living in the city of Naples. To see the portaits inside the pieces, the audience must move close to finally see people who usually is invisible. The portait of the artist is placed between the others to underline the common ground of the artist and the immigrants as human beings and immigrants, too: Italians, especially southerners, have always migrated to other countries. The artwork is modular, so it can be placed differently from the picture (in dimensions and form).
Details & Dimensions
Multi-paneled Installation:Metal on Iron
Original:One-of-a-kind Artwork
Size:118.1 W x 59.1 H x 9.8 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Massimo Campagna was born in 1966 in Naples, where he lives and works; attended the State Institute of Arts in Naples, where he graduated in painting. His artistic path begins in the ‘80s: as a student he lives and breathes art in the famous Lia Rumma Modern art gallery, where he could meet world famous artists. His post-impressionist works were coherent with the international forms of that period. He soon goes beyond the new informal research; the attention towards the world events pushes him to convert his thoughts and opinions about society into figurative language. His denounce through art becomes more tormented, the daily news take the spotlight: from the 2000s Campagna takes the cue from the current events, combining photography and painting. This last is the real subject of his work, that goes beyond figurativeness, almost up to the elimination of the first chromatic trace and the removal of the human figure.
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