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Eve - Limited Edition of 1 Artwork

Elen Alien

United Kingdom

Mixed Media, pressed flower on Carbon Fibre

Size: 27.6 W x 39.4 H x 0.4 D in

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Originally listed for $1,160
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About The Artwork

«EVE», 2020 70 х 100 cm oshibana on reused paper The fourth work in the "Flover" set is “Eve”. Eve is a perfect woman who matches standards of her own. Because she was the only one. What is the role of the woman's body in the game of searching for a potential partner in the format of a planet, stretching for millennia means? The part of the human's body in sexual relationships is overvalued nowadays , that is why many people transform their bodies, trying to be like famous people . As a result, a lot of similar human copies are created . But when potential partners choose between these identical toys, how do they make their choices? The answer is that there are many other factors. If the physical factor is only one out of many, why is it on its pedestal? Through this artwork, I want people to think about the body's value in terms of relationships. I offer viewers to realize that they represent a unique combination of various features and the body is just one of them as this piece is one of many pieces of the "Flo ver" set, while the beauty is in its exclusivity, its belonging to that combination exactly, which altogether makes people sexually attractive

Details & Dimensions

Mixed Media:pressed flower on Carbon Fibre

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.

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