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it wasn’t her curse to break Artwork

visceral home

United States

Mixed Media, Pigment on Iron Oxide Clay

Size: 32 W x 32 H x 2 D in

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$2,370

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About The Artwork

she was everything and nothing at all. all at once she witnessed the fall. she had to find a way to balance knowing she was a token of 77 years of a bloodline of men that led to her. they thought she would be the first, but she ended up being that and the last. she was the last to continue life holding onto silence to keep moving. the ones who were supposed to protect her spent their days without acknowledging the curse that was flooded within her veins. her addiction; as if she knew her blood was poison and the needle pursing into her skin was going to counteract the already tainted blood rushing to her head. the curse that used her for pleasure. from birth to adolescence. I didn’t stand a chance; I didn’t know what it felt like to be held in pure love. I thought this was the way a father loves a daughter. The pain inflicted on her bloodline was not the fault of their own— the walls of the gas chambers that heard her ancestor’s last spoken words, it should have been the last time they allowed pain to pass on from generation to generation. the freedom my grandparents were given should have been the freedom they gifted us. Yet they passed down those last words their family took as if we forced them to be spoken. They spoke the words proudly, every Passover and Shabbat: dayenu. dayenu. it would have been enough. dayenu. it would have sufficed. but there was no mercy for my siblings and I.

Details & Dimensions

Mixed Media:Pigment on Iron Oxide Clay

Original:One-of-a-kind Artwork

Size:32 W x 32 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Taylor (b.1994) and Connor Robinson (b.1992) are artists creating sculptural mixed media artwork using the moniker visceral home. Their works interpret the human psyche — for trauma and healing, the passage of time, and the relationship between humans and the natural world. Over the few years, they’ve honed in on a practice where the married partners collaborate: Connor creates handmade frames and surfaces on which Taylor paints abstract images. Their art is a kinship of two individual processes and personal meditative techniques that ultimately combine to achieve one thoughtfully balanced vision. The complexities of coping with cPTSD and substance use disorder are threaded throughout their works, revealing a timeline of visceral indentations of the emotional journey of healing. They create artwork to cope with the fear of uncertainty. From these monumental moments, a catalog of collections was born, channeling and transforming various emotions into something useful. With time, they let go of situations and relationships that held them hostage, releasing and transmuting that pain as a new creative avenue toward feeling understood, relieved, and valuable. An abstract expression of the heavy moments that would drown them if there was no cup to pour in. A celebration of the moments of joy and triumph. Their art is a tactile alternative to self-destruction. It is self-preservation. Pouring themselves into creating something that can translate that emotion into a tangible experience that can be visualized and felt viscerally is what they dream of as the ultimate solution to the condition of being human.

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