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Lilac Wine (and I feel them drown my name)- Limited edition of 5 Artwork

Marit Otto

Netherlands

Mixed Media, Screenprinting on Canvas

Size: 47.2 W x 31.5 H x 0 D in

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About The Artwork

This is no.09 of the Heroes series, the B- sides. 120/80cm, limited & signed 1/5 Lilac Wine is the second portrait of Jeff Buckley I made. The first portrait was called Dream Brother no 09 from the Heroes A- side series. The A and B-sides holds 18 art prints in total now Buckley is the odd man out in the Heroes series. He came in late and remained a mystery to me. While most of my other heroes kind of made a click with me on a personal level, he did not. He is a total stranger. His music caught me by surprise. I did not even plan to buy his record when I was browsing through the second-hand discs at Minstrel Music (Assendorp, Zwolle). Grace. I felt like buying it. Somehow I stored this record in the back of my head for a while. Then at home I installed myself for a session with closed eyes absorbing this new album. My boyfriend Erik defined the sound as a bit hysterical. Especially the first song Mojo Pin hit all the notes in the register. So, I took Grace to my atelier and there it found its way to my ears again. The hysterical notes were actually quite fascinating and the album unfolded itself like a mystical and dark fairy tail. It grew on me and got hold of me. Passionate is the word that comes to mind. Buckley died ever so mystical as this album and he was for me. Disappeared, drowned in Wolf River Marina in Memphis Tennessee. Confessing his manic depression to his dad the evening before. Darkness and brightness can live so close to each other in one heart that they can actually tear it apart until it devours its host. Still he left us with something bright and beautiful. Say grace, Hallelujah

Details & Dimensions

Mixed Media:Screenprinting on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 31.5 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.

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