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Marilyn – They Loved Somebody I Wasn’t - Limited Edition of 500 Artwork

Patrick Wanis

United States

Mixed Media, Digital on Aluminium

Size: 24 W x 16 H x 1 D in

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$815

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About The Artwork

Famous Tweets In History Series Marilyn – They Loved Somebody I Wasn’t Digital painting infused into gloss white aluminum with UV resistant polymer Description: Do people know the real you? Do the people in your life love you for who you truly are or for the image they have of you? Perhaps you love them for the image they have created of you. We create images of people in our life and most of the time we don’t know who they really are; perhaps they hide their true self; perhaps we are happier not knowing who they really are. We do this constantly with celebrities and particularly actors and actresses. We want to believe that this person off the screen is the same person we saw on the screen. We want them to be a particular way; we want them to live up to our image of them and we never want them to age or change! We believe we actually know them and that we even have a relationship with them. This is particularly true with Marilyn Monroe – the blonde bombshell of the 1950s who later became an icon playing the blonde stereotype - dumb, naïve, sexually available and artificial. Her star image was created for the male gaze. We wanted her to be a certain way and we wanted her to remain the same. In her autobiography, cowritten with Ben Hecht and released a decade after her death, she reveals the way people, particularly men fell in love with the image they created for her: “I've never fooled anyone. I've let men sometimes fool themselves. Men sometimes didn’t bother to find out who and what I was. Instead they would invent a character for me. I wouldn't argue with them. They were obviously loving somebody I wasn't.” My series “Famous Tweets In History” explores and highlights the timelessness of meaningful words by famous people. Some of those people, such as Marilyn Monroe impacted the world at time when the words were written, spoken or televised but not able to be Tweeted. The soundbites of yesterday are the Tweets of today, and vice-versa. The written and spoken quotes of authors, poets, celebrities, politicians and philosophers of yesterday are the Tweets of today. What might have occurred if Twitter existed in 1962 when Marilyn was writing her book and revealing her pain and true story? Who would have been her followers? In keeping with the Famous Tweets series and Andy Warhol’s pop art interpretation and stylization of celebrities and other famous people who impacted the world, I chose bright, spontaneous, expressive, neon colors representing the flashy yet shallow way we see the world and celebrities, our obsession with fame, and the flashy and shallow way they are often represented or sold to the public. Unlike Warhol who usually painted or silk-screened his subjects and flattened the eyes, I wanted to highlight the eyes and reveal more of the emotion of each subject by painting each one with a style that matches their personality or character. I also neutralized the boundaries of time while also highlighting the people that could have been Marilyn’s Followers (some of them if they had been alive such as Donald Trump who had various affairs, Grace Jones another sexual icon or Dame Edna Everage - a man who created an image of an exaggerated, flamboyant and sexual woman designed to entertain the masses.) This piece, “MARILYN: THEY LOVED SOMEBODY I WASN’T”, captures a historic moment while blurring the lines of time and reinforcing the way we love the images we create of others and yet often detest the false images people create of us! Other creations in Patrick Wanis’ “Famous Tweets In History Series”: “Trump: My Words Are Art”, 2019 “Clinton: I Never Lied”, 2020 “Marilyn: They Loved Somebody I Wasn’t”, 2020 “Einstein: Human Stupidity Is Infinite”, 2020 “Trump: Sorry Losers and Haters”, 2020 “Biden: Children Need A Role Model”, 2021 “Trump: Kiss Goodbye II”, 2021 “Dog - Your Best Friend: Where Is The Love?”, 2021 “Trump: Remember This Day Forever! – Patriots and Fascists” Diptych, 2021 “Eastwood – Fistful OF Dollars: Apologize To My Mule”, 2021 “Eastwood – Dirty Harry: You’ve Got To Ask Yourself One Question”, 2021 “Eastwood – Dirty Harry: Nothing Wrong With Shooting”, 2021 “Eastwood – Dirty Harry: I Have A Firm Policy On Gun Control”, 2021 “Eastwood – Gran Torino: I Shoot You And I Sleep Like A Baby”, 2021 “Eastwood – Gran Torino: Somebody You Shouldn’t Have F**ked With”, 2021 The archival print surface material of my fine art prints (Chromaluxe aluminum panels) has been carefully selected to compliment the style of imagery and to bring out the strong textures, deep color tones and high contrast. The work is produced using a technology called sublimation. Sublimation is where inks are infused directly into the specially coated metal sheets. The result of this specialized process are printed images with stunning color tones, vibrancy and resolution while also having a longevity of several lifetimes.

Details & Dimensions

Mixed Media:Digital on Aluminium

Artist Produced Limited Edition of:250

Size:24 W x 16 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Ever since I began painting as a teenager, I have believed that art is defined by its ability to provoke a response – to provoke thought and emotions, and to appeal to the senses and imagination. That is the aim of my work." Australian Patrick Wanis has been creating a body of work for the past ten years that provokes conversation and stimulates the senses by exploring and challenging the connection between our emotions, biases, and deep desires for escape and beauty. Beginning as a teenager painting with oils and inspired by the surrealists and impressionists, Wanis now paints digitally, and with a camera. He creates colorful worlds that transport you into an experience where you interpret what you see, and where he often directly challenges your own beliefs and perspectives. “I have lived by the ocean in 5 countries over the past 20 years, and thus my obsession with water reveals itself in the power of light, shadows and reflections. “My work reflects the intersection of technology, social media and the ‘cultural evolution and regression.’ My passion and experience in human behavior draws me to expose the intense emotions and biases of our world. I want to incite a response from the viewer and simultaneously expose and satirize the conflict of the absurdity and surrealism of our own lives. What is real, what is truth, what matters, what is right or wrong? Are you sure you and your ideas and beliefs are superior? “I use words, images, and color to communicate ideas and emotions (humor, laughter, anger, fear, loathing, validation, et al), challenging the viewer to look down or across from a different perspective. “My digital painting series “Famous Tweets In History” explores and highlights the timelessness of meaningful and controversial words by the famous and infamous, revealing something about them or us, and challenging or confronting our beliefs. Some of those words are real tweets, others are quotes or popular quotes from movies. By painting the Followers as people from all eras, I reveal the significance and/or timelessness of the message and communication. Thus, for me, I care about ideas, emotions, biases, and values. I want everyone to question what they believe. I care about the thoughts and the feelings that those words and ideas trigger in us.

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