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Silk damask with doll's head in foreground
Blue star above the heart chakra
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Testolin Artwork

Matia Chincarini

Italy

Mixed Media, Etching on Soft (yarn, Cotton, Fabric)

Size: 13.8 W x 13.8 H x 2.4 D in

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$1,327

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About The Artwork

This work is the encounter between a pornographic/contemporary body and the head of an antique ceramic doll. It's a reflection on matter and its illusions, on the body and its masks, on time and changing morals. Through a refined language it's found an ironic yet caustic key to a world that becomes only appearances. The spectator, faced with that sense of unease of a naked body combined with the pure playfulness of a little girl, hopes that it will be transformed through the precious material of damask into an elevation of holiness. The filthy body is only forgiven because it is given a mask to protect itself from its fears. The star, the symbol and identifying mark of my poetics for a period, signals an important point in the body of the subject. It does not speak of the physical body, but of a force that goes in search of its soul. That light becomes the beacon of consciousness. Inspirational concepts for this work are theatre as a play of parts, the body as a human limitation, which takes no account of either the soul or the spirit, a being that forgives everyone and everything. TECHNIQUE The photo-transfer technique, which I learnt in Spain, is a manual print made with a roller pressure press that - through a process of chemical heat and pressure - 'brings back' the printed image onto the final support: in this case a decorated Indian silk. For me, this technique was a reminiscence of my childhood period when I used to play with toy transfer sheets, which is why I used it for a long time in my artistic production. The technique creates a reversal of the image as in photography with its negative being printed. This reversal creates a splitting, it gives the possibility to consider a polarity: chaos/order, darkness/light, evil/good that are not divisible, but mutually complementary because they are part of the same world.

Details & Dimensions

Mixed Media:Etching on Soft (yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:13.8 W x 13.8 H x 2.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I come from two generations of painters and in my turn, I have tried to 'be' an artist by painting and participating in the art world. In 1996, even before completing my training as a Master of Art in Painting, I started exhibiting at public institutions and galleries and had my first teaching experiences. I have always felt the need to get out of the everyday: I have stayed many times in India, Brazil and Morocco for several months where I realised artistic and didactic projects. On my path of artistic and personal growth, I learnt to use my wounds to try to help others through art and beauty. I realised that by joining with high energies I could give myself to people and the world to 'be' an artist. I thus created a path by no longer thinking through the dynamics of an oppressive system, but by going towards a world in need of transformation and awakening. For me, the way to go in that direction is linked to the world of gaming: through our hands and bodies we live the experience that moves the invisible parts of us. Over time, my art has not remained still in itself, but has evolved to become 'social art' in the sense that the great German artist Joseph Buys intended: an art opposed to individualism that espouses the concept of democratisation and opens up to the public, to the group, to the shared realisation of the work as in my latest works. Today I aspire to the 'spiritual of art' that Kandinsky referred to, which leads to change and the evolution of the self. I currently work in education and training with children, adults and people with disabilities. I invent, construct and use my games together with art therapy as a method of personal and group development.

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