VIEW IN MY ROOM
United Kingdom
Mixed Media, Oil on Wood
Size: 9.8 W x 9.8 H x 1.6 D in
Ships in a Box
This icon is dedicated to archaic angels who, by virtue of their close relation to the human race, are earthly in color. These double semi-terrestrial and semi-heavenly entities carefully supported human evolution throughout the entire period of its development constantly improving the main tool of human progress, which is hands. When you press the red button, gold discs with hands begin to rotate clockwise and the images turn into dynamic points symbolising the centres of progress. The soft green light confirms the safe work of the mechanism and symbolises the open path to the further perfection of the human race. COMMENT: Discs with arms never stop in the same position, representing the full spectrum of human gestures.
Original Created:2011
Subjects:Popular culture
Mixed Media:Oil on Wood
Original:One-of-a-kind Artwork
Size:9.8 W x 9.8 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born in the USSR. Studied in Russia and UK. Live and work in London. I create icons, but my forms of iconography are unlike any other. My icons are contemporary cultural hybrids; unusual, unnerving, stark and controversial. “Oleg's highly attractive ‘symbolic sculptures’ may not seem innocuous, but they are beguiling – and contain a myriad of tensions. He has transformed the art of icon making – the all-powerful nature of a created symbol – and tried to liberate the icons which pervade society, from their conventional roles. His art joins precise sacred paintings with interactive electronics, such as microchips, mobile phones, radios and plastic toys – juxtaposing religious iconography with modern consumerism. But the creating this symbiosis between the imagery of modern world and the religious myths, Oleg has created a new commentary on popular culture. His icons represent the changing times of our society, peoples attitudes, politics, and as he says “the unification of two polar things: old magic and new technologies.” The art which Oleg produces has the unique ability of provoking the mind and the heart, which makes it doubly combustible. What’s interesting is how our environment has become so pervaded with icons, so saturated with symbols which aren’t just revered, but also derided, spoofed, and mixed, that people seem to have become immune to any mixing that takes place, and can be comfortably indifferent to the amalgamation of sacred symbols.” Brandon Hooper Oleg Ikona has exhibited widely in Europe and America, bailed as a witty inventor, cosmopolitan and poetic; yet in Russia be encounters widespread State and Church criticism for the anti-religious morality of his work. At 2004 after religious attacks on his art he left Russia for UK as refugee. His studio with art works in St. Petersburg burned down a month after he escaped. No one found guilty.
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