VIEW IN MY ROOM
Italy
Mixed Media, Digital on Paper
Size: 31 W x 36 H x 0.1 D in
Ships in a Tube
Artist Recognition
Artist featured in a collection
the “(e)astrazione cromogeometrica di me stesso” (“chromogeometric extraction|abstraction of myself”) series stems from the idea of constantly developing|changing|transforming|altering|evolving|fragmenting a composition, as an effort to explore the idea of endless iterations|permutations|combinations|derivations|alternatives and the concepts of temporariness|instability|incompleteness|uncertainty|undeterminability. this reflects a general approach to art, that of the need to constantly|endlessly|relentlessly experiment|explore|research|analyze. (e)astrazione (as in estrazione|astrazione or extraction|abstraction) since new forms and whole compositions are constantly extracted, while the original subject is continuously and gradually rendered abstract, simplified into its essential forms and geometries. an unresolved and aleatory state of uncertainty induced from chromogeometric collisions emerging from field interferences as if in the grip of chromatic and geometric interferences, forms and colors meet|collide and strengthen|weaken one another, until they reach an aleatory state of indeterminacy, as a response|reaction to the everyday chaos|uncertainty|indeterminability of nature|life|the world, a form of mechanistic interpretation of nature. seemingly unintentionally|by chance, the compositions and the colors begin resembling|hinting at physical|natural systems|events|processes|phenomena, conveying|symbolizing concepts of movement, velocity, fragmentation. not by coincidence, physics and mathematics do inform my artwork and have always been its foundation and main inspiration. in fact, most of my work is originated|derived|generated|developed through various systematic geometrical and mathematical processes. the resemblance with|relation to microscopy photography, particle physics|quantum mechanics|chemistry|biology patterns|diagrams|imagery can therefore be explained. it is a visual but also a procedural resemblance
Mixed Media:Digital on Paper
Artist Produced Limited Edition of:1
Size:31 W x 36 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I have been a practicing architect in the United States and Italy for the past 20 years. for over 15 years i have also been painting and producing artwork, mostly as a spare-time activity. in the past 3 years or so, however, this activity has become more than a simple interest or passion, and in fact a regular and steady effort because of my professional training, my early work was inspired by architecture and, in fact, vaguely represented structures and buildings elements. however, my main inspiration has come from physics and mathematics, fields that fascinate me and that i have studied extensively. these have formed the foundation of my architectural work and projects, and consequently of my artwork. in the past ten years, in fact, my focus has increasingly shifted to artwork less reminiscent of buildings and more of particle physics and quantum mechanics concepts, as well as mathematical and geometrical principles. by combining these subjects with the theories and techniques of the constructivism, suprematism, futurism, and rayonnism art styles, i developed what i call the “eigencompositions”: analytical, abstract artwork consisting of simplified yet very dynamic geometrical shapes, fields, lines and segments that convey concepts of movement, velocity, decay, fragmentation. these eigencompositions stem from shapes randomly generated through a systematic geometrical process and symbolize particle trajectories, the fragmentation of nature, as well as the uncertainty and undeterminability of life, to parallel quantum theory principles. as i further developed my ideas for the eigencompositions in terms of methods and techniques, i also started a new conceptual effort based on the notions of linear algebra, matrices and linear transformations, as an alternative system to generate shapes and whole compositions. the “linear transformation” compositions evolve from the idea of constantly manipulating a shape - by implementing mathematical rules and formulas - almost endlessly, to create a new one. here too, the concepts of movement and velocity are present. and the incessant manipulation and consequent change in shape, along with its repetition, reflect the fragmented, ever-changing, unstable and therefore uncertain characteristics of nature.
Artist featured by Saatchi Art in a collection
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