1950-56. He loses himself Painting

The works making up the collection entitled From Jackson to Jackson feature the use of the dripping technique juxtaposed to written quotes from this great American artist. This painting is part of a trilogy. I was inspired by the phrase of a critic who, speaking of Jackson Pollock, referred to his existence as a drama in three acts: 1930-47. He searches for himself- 1947-50. He finds himself- 1950-56. He loses himself. loses In this work, I traced the shape of my body lying on the painting as if it were completely inserted into it. It refers to the phrase : he loses himself . The artist merged but also, perhaps, got lost in his research and in a lifestyle that on the one hand caused his death but on the other helped to build the image of a myth. Before draining the whole painting with the colours in a dense network of lines, I highlighted the outline with a light layer of fine sand, fixed with liquid glue. The shape of the body here is invisible because it is under the intricate dripping of the dripping. The body can only be glimpsed by the difference in texture created by the sand that protrudes slightly from the surface. Once dried the paint, I used the style of the stencil to spray paint the phrase I had previously prepared carving a thick cardboard. The idea of working on Pollock’s production came to my mind a few years ago, after seeing his first paintings realized with the revolutionary dripping technique displayed in Venice, at the Peggy Guggenheim Collection, and a couple of months later in New York. In those years I had begun my research on a form of painting able to convey the energy and force involved in the creative act. I was working on the concept of space. A space without a centre. Or even better, where anything could become the centre, allowing the spectator to enter the painting from any point. I would resort to shapes and colours that could go beyond the boundaries set by the frame, and lay my canvas on the floor in order to be able to circle them. Pollock was a true revelation. Normally I paint my works in nature, in open spaces like mountains or forests. After I finish them in my studio. This is the reason why I also published my photographs in while I paint in the middle of nature.

Painting:Enamel on Canvas

Original:One-of-a-kind Artwork

Size:90.5 W x 80.5 H x 0.1 D in

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