A Band Apart Series #2 "Yeah, but Mr. Brown, that's a little too close to Mr. Shit." Painting

Mr. Brown : Yeah, but Mr. Brown, that's a little too close to Mr. Shit. [first lines] Mr. Brown : Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks. Mr. Blonde : No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive... Mr. Brown : Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists. Joe : Toby... Who the fuck is Toby? Toby... Mr. Brown : 'Like a Virgin' is not about this sensitive girl who meets a nice fella. That's what "True Blue" is about, now, granted, no argument about that. Mr. Orange : Which one is 'True Blue'? Nice Guy Eddie : 'True Blue' was a big ass hit for Madonna. I don't even follow this Tops In Pops shit, and I've at least heard of "True Blue". Mr. Orange : Look, asshole, I didn't say I ain't heard of it. All I asked was how does it go? Excuse me for not being the world's biggest Madonna fan. Mr. Blonde : Personally, I can do without her. Mr. Blue : I like her early stuff. You know, 'Lucky Star', 'Borderline' - but once she got into her 'Papa Don't Preach' phase, I don't know, I tuned out. Mr. Brown : Hey, you guys are making me lose my... train of thought here. I was saying something, what was it? Joe : Oh, Toby was this Chinese girl, what was her last name? Mr. White : What's that? Joe : I found this old address book in a jacket I ain't worn in a coon's age. What was that name? Mr. Brown : What the fuck was I talking about? Mr. Pink : You said 'True Blue' was about a nice girl, a sensitive girl who meets a nice guy, and that 'Like a Virgin' was a metaphor for big dicks. Mr. Brown : Lemme tell you what 'Like a Virgin' is about. It's all about this cooze who's a regular fuck machine, I'm talking morning, day, night, afternoon, dick, dick, dick, dick, dick, dick, dick, dick, dick. Mr. Blue : How many dicks is that? Mr. White : A lot. Mr. Brown : Then one day she meets this John Holmes motherfucker and it's like, whoa baby, I mean this cat is like Charles Bronson in the 'Great Escape', he's digging tunnels. Now, she's gettin' the serious dick action and she's feeling something she ain't felt since forever. Pain. Pain. Joe : Chew? Toby Chew? Mr. Brown : It hurts her. It shouldn't hurt her, you know, her pussy should be Bubble Yum by now, but when this cat fucks her it hurts. It hurts just like it did the first time. You see the pain is reminding a fuck machine what it once was like to be a virgin. Hence, 'Like a Virgin'. Joe : Wong? from ‘Reservoir Dogs’ (1992) Starring Chris Penn ("Men at Work." -- "Well, where do they work?"), Quentin Tarantino (From Dusk Till Dawn), Tim Roth (Tales from the Crypt: Easel Kill Ya), Michael Madsen (Species), Harvey Keitel (The Last Temptation of Christ), Lawrence Tierney (The Bushwhackers), and Steve Buscemi (Tales from the Darkside: The Movie). Written and Directed by Quentin Tarantino (The Golden Girls). Mr. Brown is a minor character in the film Reservoir Dogs, portrayed by the writer and director of the film, Quentin Tarantino. He is one of the six robbers in a diamond heist that goes wrong. He is the first character to be heard talking in the film, who talks about the song "Like a Virgin" by Madonna, and how he thinks it's a metaphor for "big dicks!" When he is given the alias "Mr. Brown" he says how it sounds too close to "Mr. Shit." After the heist, he is shot in the head but survives a little longer. He drives the car with Mr. White and Mr. Orange in the back, but crashes it into a parked car. When he has blood in his eyes, he says that he's blind, and dies shortly after in the car. Along with Mr. Blue, he is a minor character who doesn't have his real name revealed. Source: Reservoir Dogs Wiki A Band Apart Films was a production company founded by Quentin Tarantino, Michael Bodnarchek, and Lawrence Bender that was active from 1991 to 2006. Its name is a play on the French New Wave classic, Bande à part ("Band of Outsiders") by filmmaker Jean-Luc Godard, whose work was highly influential on the work of the company's members. Thanks in part to the popularity of Quentin Tarantino's and Robert Rodriguez's films, the company quickly gained cult-like status within Hollywood. Tarantino formed A Band Apart in 1991, naming it after his favorite Godard film, Bande à part. The company's logo was a stylized image of the robbers from Reservoir Dogs, Tarantino's debut film. Subsequently, several legal entities within the company were named after the film's characters. Mr. Pink LLC was for music video production budgets, and Mr. Brown LLC was for commercials. In addition to Tarantino, members of the company included Robert Rodriguez, John Woo, Tim Burton, Steve Buscemi, Darren Aronofsky, John Landis, Joseph McGinty Nichol, Nigel Dick, Steve Carr, Cameron Casey, Marcel Langenegger, Wayne Isham, Terry Windell, Lisa Prisco, Phil Harder-Rick Fuller, Coodie & Chike, Osbert Parker, Luc Besson, Adam Christian Clark, André 3000, Christopher Morrison and Michael Palmieri, Andy Mornahan, Steve Lowe, Loren Hill, Darren Grant, Charles Whittenmier, Geoff McGann, Olivier Venturini, The 405 Guys, Craig Tanamoto. The company catapulted to fame with the 1994 release of Tarantino's Pulp Fiction, which was considered by some critics to be the most influential American film of the decade. In the summer of 1995, the company added a division for commercials and later, for music video production, adding a third co-owner Michael Bodnarchek. Kristin Cruz (aka Kris Foster) and Heidi Santelli launched A Band Apart Music Videos as Directors' Rep and Executive Producer, respectively. Reservoir Dogs is a 1992 American crime film written and directed by Quentin Tarantino in his feature-length debut. It stars Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi, Lawrence Tierney, Michael Madsen, Tarantino, and Edward Bunker as diamond thieves whose planned heist of a jewelry store goes terribly wrong. The film depicts the events before and after, but not during, the heist. Kirk Baltz, Randy Brooks, and Steven Wright also play supporting roles. It incorporates many motifs that have become Tarantino's hallmarks: violent crime, pop culture references, profanity, and nonlinear storytelling. The film is regarded as a classic of independent film and a cult film,[4] and was named "Greatest Independent Film of all Time" by Empire. Although controversial for its depictions of violence and use of profanity, Reservoir Dogs was generally well received, with the cast being praised by many critics. Despite not being heavily promoted during its theatrical run, the film became a modest success in the United States after grossing $2.8 million against its scant budget. It achieved higher popularity after the success of Tarantino's next film, Pulp Fiction (1994). A soundtrack was released featuring songs used in the film, which are mostly from the 1970s. Quentin Jerome Tarantino (/ˌtærənˈtiːnoʊ/; born March 27, 1963) is an American film director, screenwriter, producer, and actor. His films are characterized by nonlinear storylines, dark humor, aestheticization of violence, extended scenes of dialogue, ensemble casts, references to popular culture and a wide variety of other films, eclectic soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, alternate history, and features of neo-noir film. Born in Knoxville, Tennessee, Tarantino grew up in Los Angeles. He began his career as an independent filmmaker with the release of Reservoir Dogs in 1992, a crime thriller film which was funded by money from the sale of his screenplay True Romance (1993). Empire magazine hailed Reservoir Dogs as the "Greatest Independent Film of All Time". His second film, Pulp Fiction (1994), a crime comedy, was a major success among critics and audiences and won him numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay. He wrote the screenplay for the horror comedy film From Dusk till Dawn (1996), in which he also starred. Tarantino paid homage to the blaxploitation films of the 1970s with Jackie Brown (1997), an adaptation of Elmore Leonard's novel Rum Punch. In 2003, Tarantino delivered Kill Bill: Volume 1, a stylized "revenge flick" in the cinematic traditions of kung fu films and Japanese martial arts; Volume 2 followed in 2004. Tarantino next directed the exploitation slasher film Death Proof (2007), part of a double feature with Robert Rodriguez released in the tradition of 1970s grindhouse cinema, under the collective title Grindhouse. His long-postponed Inglourious Basterds (2009) tells an alternate history of Allied forces in Nazi-occupied France, and was released to favorable reviews; it was followed by Django Unchained (2012), a Spaghetti Western set in the Antebellum South, to further critical favor, winning him his second Academy Award for Best Original Screenplay. His eighth film, The Hateful Eight (2015), was a long-form Western initially screened in a 70 mm roadshow theatrical release. His ninth film, Once Upon a Time in Hollywood (2019), recounts an alternate history of events surrounding the Tate–LaBianca murders. Tarantino's films have garnered both critical and commercial success as well as a dedicated cult-following. He has received many industry awards, including two Academy Awards, two BAFTA Awards, four Golden Globe Awards, and the Palme d'Or, and has been nominated for an Emmy and five Grammys. In 2005, he was included on the annual Time 100 list of the most influential people in the world. Filmmaker and historian Peter Bogdanovich has called him "the single most influential director of his generation". In December 2015, Tarantino received a star on the Hollywood Walk of Fame for his contributions to the film industry. Source: Wikipedia

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 48 H x 1.5 D in

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