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Abstract Kokedama Painting

Eunjung Seo

United Kingdom

Painting, Oil on Canvas

Size: 14 W x 18 H x 0.7 D in

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About The Artwork

I’m interested in pondering on simple, delicate plants, as a plant is a small universe in itself, then adding layers of colourful abstract marks. I realise that balance is the key of this mission, which means visual weight is distributed appropriately in the composition. When I can find the right balance on the canvas between realism and abstraction, such as bold colourful brush strokes and gestural knife marks, it kindles feelings and fresh motion in one’s heart.   By abstracting the subject matter, you may end up seeing your subconscious unfolding into the canvas.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:14 W x 18 H x 0.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in South Korea, now a long-term London resident, I work as an art technician and artist teacher in an independent school and am a member of ArtCan Artists. I studied Fine Art at Hong-Ik University, Seoul and took a post-compulsory PGCE at Institute of Education, UCL, London. I have exhibited in numerous galleries in Korea and England, including Highgate Fine Art, Museum of Modern Art, Busan, Gallery Pfo, Sutton House, Kingston Museum, the Korean Cultural Centre and D contemporary. I focus on portraits and try to capture the subtle emotions of the subjects and the atmosphere around them. I investigate the possibilities of figurative and abstraction in my contemporary portraits. I’m also interested in pondering on simple, delicate plants, as a plant is a small universe in itself. In both genres, I trail a wide brush across of some parts of my paintings and blur some figuration or smear some parts with a painting knife, like #GerhardRichter. While Richter blurs surfaces evenly, I keep some parts of paintings figurative and choose other parts to be abstracted. I like the possibilities of having control but also having some things not under control. By doing so, my intention is to represent flowing time, sway, and uncertainty. We are here now and we’ll be gone.

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