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Abstractive interior Print

Felix Felbermayer

Austria

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About The Artwork

An initial draft of this painting was to be called "Maria Neth's flat and the remains of Fantasia", up to the finished product, however, the painting underwent many changes. Even if I liked the title very much and the idea behind it, it didn't make sense anymore to call it so. With the term "Fantasia" in its title the painting was meant to allude to the famous film version of the novel "The Neverending story" by representing, though heavily distorted, one particular scene of the film. I often use film and screenshort from films as inspiration for my artwork, but with this painting it didn't feel right. Somehow, halfway through its creation, it began to look too decorative and meaningless to bother finishing it. So I changed it to the visual design at hand. I guess my occupation with interiors has shifted in this painting towards a certain form of abstraction: instead of representing concrete and detailed indoor spaces, I ripped off any personality of the flat and building I used as a reference and thus abstracted it, hence the title.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.

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