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"After War - Performance." Painting

→ Leo Katunaric Kadele, Croatia

Painting, Acrylic on Canvas

79.5 W x 60.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$22,330

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It was really an surprise. To have a war. In the middle of the western Europe. We endured. But what we did not know at the time - after any war there is a performance. Virtual realism is a form of artistic performance in the era of digital culture. The user enters into virtual reality in an effort...

Year Created:

2016

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

79.5 W x 60.6 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Croatia.

Customs:

Shipments from Croatia may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

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Leo Katunaric Kadele

About the Artist

Leo Katunaric Kadele

Croatia

Leo Katunarić Kadele is a Croatian visual artist, theatre director, and theorist whose work moves fluidly across the fields of visual art, performance, and media theory. Educated as a theatre director at the Academy of Dramatic Art in Zagreb, he has developed a multidisciplinary practice that spans painting, performance, installation, and critical writing. His projects frequently address the convergence of technological systems, spiritual frameworks, and the post-human condition.
Kadele’s installations and performances often take the form of conceptual environments—altars, temples, or sanctuaries—where digital, human, and ritualistic elements collide. He is particularly noted for his long-term exploration of "post-techno liturgies," ritual-based performances structured around machine-human interactions. These works feature hybrid figures, real-time data, and objects like 3D-printed godheads, forming a speculative vision of belief systems in the digital age.
A recurring element in Kadele’s work is the figure of the post-shaman: an avatar through which he questions identity, authorship, and spiritual agency. Alternating between corporate attire and post-industrial detritus, the artist himself becomes a medium for exploring how ritual, performance, and aesthetics can respond to algorithmic alienation and technological control.
Kadele has realized numerous projects worldwide, with exhibitions and performances in Japan, China, India, South Korea, Colombia, the United States, Germany, Greece, and across the Balkans. His practice is also deeply embedded in cultural production and research. He is the founder of KantunArt and MaxArtFest, platforms for experimental and interdisciplinary arts, and has held leadership roles at the Zagreb Youth Theatre (ZKM).
As a theorist, Kadele is the author of several publications, including Artistic Performance in the Digital Culture (2022), Medea95 (2000), and The Return of Europe, a Cow (2007). He holds a PhD in contemporary digital performance dramaturgy from the University of Zagreb.

Recognition:

  • Artist featured in a collection

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