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After War - Performance. Painting

Leo Katunaric KADELE

Croatia

Painting, Acrylic on Canvas

Size: 79.5 W x 60.6 H x 1.2 D in

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$27,330

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ABOUT THE ARTWORK

It was really an surprise. To have a war. In the middle of the western Europe. We endured. But what we did not know at the time - after any war there is a performance. Virtual realism is a form of artistic performance in the era of digital culture. The user enters into virtual reality in an effort to become information. The machine logic of virtual reality rejects the organic reality of the user as a foreign body. In this process an artistic act is created. The user, rejected from the virtual reality, returns to the physical reality. He becomes a translator from machine to human language. It prints its craving for seeing and experiencing in virtual reality. Craving for digital gods with digital prayer, hoping to return to the information. In physical reality, the user / artist subjects himself to high tension situations, war, betrayal, public embarrassment, political disability, illness, closeness to death ... to annihilate any comfort of everyday life. In a situation of high tension, the user / artist can experience the state of distorted reality, the anxiety of the digital age, and the encounter of a dual, digital representative. Two entities, both digital and physically, are struggling to access the digital gods of the future. The human entity translates what the digital entity performs, using primal techniques and material resources. The painting on the canvas is not fixed and stable, it is changing and complementing every entry into virtual reality. The image is there only to give way to the next image. And that is a virtual reality.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

79.5 W x 60.6 H x 1.2 D in

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LK Kadele (Leo Katunaric Kadele), is a visual artist and author. Educated as a theater director (Zagreb Croatia), he develops polyphonic artistic practice by constantly expanding in the media and forms. He is the author of numerous contemporary art projects in Japan, China, India, Colombia, the United States, Italy, Germany, Mexico, Bosnia and Herzegovina, Syria, and Croatia. He deliberately creates artificial social situations in order to collect Zeitgeist data. Such information is used in negotiations between human and machine intelligence. The result of the negotiations are non-objects, artifacts made by human hands, but whose meaning fluctuates through space and time. He is socially active as the founder and leader of festivals, institutions and platforms for the development of contemporary art. He collaborates as a curator, selector and artist with numerous international institutions, from the Iberoamericano Festival Bogota Colombia, Tokas Japan, National Museum Beijing China, Oldenburg University Germany, Music Bienalle and Mimara Museum Zagreb Croatia, Museum of the contemporary art zagreb Croatia. He is an author of "Artistic perfomance in the digital culture" Leykam international (Zagreb 2022).

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