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It was February and the weather had turned nasty. 

We were in the grip of a cold blast from the east, known as 'The Beast from the East'. 

As twilight fell a recent hail shower turned the light a strange and darkening moody pink, and an icy wind forced the sheep to gather together against the protection of the wall. Their bright red backs, indicating that they had been 'tupped', caught the descending light and seemed to shine. 

The scene seemed to me to capture the feeling of the day.

A threat from Russia, with the alleged nerve agent poisoning in Salisbury, and mentions of potential cyber attacks, was in the news. The unusual weather reminded us of the threat of climate change. The sheep appeared nervous, the sudden change in the weather threatening their unborn babies. The dark wood in the background........
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After the Hail (The Beast from the East) Painting

Peter Ingram

United Kingdom

Painting, Oil on Canvas

Size: 16.1 W x 20.1 H x 0.8 D in

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Originally listed for $800
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About The Artwork

It was February and the weather had turned nasty. We were in the grip of a cold blast from the east, known as 'The Beast from the East'. As twilight fell a recent hail shower turned the light a strange and darkening moody pink, and an icy wind forced the sheep to gather together against the protection of the wall. Their bright red backs, indicating that they had been 'tupped', caught the descending light and seemed to shine. The scene seemed to me to capture the feeling of the day. A threat from Russia, with the alleged nerve agent poisoning in Salisbury, and mentions of potential cyber attacks, was in the news. The unusual weather reminded us of the threat of climate change. The sheep appeared nervous, the sudden change in the weather threatening their unborn babies. The dark wood in the background........

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:16.1 W x 20.1 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hi I'm Peter. I work from a small studio in Pocklington in the East Riding of Yorkshire. I have recently exhibited at the 250th Royal Academy Summer Exhibition 2018 in the Grayson Perry RA 'yellow room' (Room III, on what has been called the 'Brexit Wall'). I previously exhibited at the Royal Academy Summer Exhibition 2016, selected by David Remfry RA for Room VII. I started my art career in 2013 creating portraits in oil and pastels and have now expanded my scope to experiment in other forms and materials, most recently painting the Yorkshire landscape. I'm also a photographer. My background is varied, and my tastes are eclectic. Born in the RAF, I spent my childhood on airbases in the US and Singapore. I grew up in Cambridge in the 70's and 80's where I was drummer, singer, songwriter, photographer, taxi driver, printer, campaigner, music entrepreneur, BBC radio broadcaster, and technical engineer. I was closely involved in the early days of the computer revolution in Cambridge in the 80's, and spent the 90's being an IT salesman and network consultant based in York. I'm an autodidact. I read a lot of history and philosophy, and have always been fascinated by the human condition. I'm deeply concerned about climate change. I started drawing and painting after reading Ian McGilchrist's seminal book 'The Master and His Emissary: The Divided Brain and the Making of the Western World' in an attempt to regain the creative side of my brain after years of technology. My influences are varied....Manet, Clausen, Schiele, Hopper, Klee, Singer Sargent, Cadell, Miro and Bonnard are the first to spring to mind...... My first 'breathless' art moment was seeing Giacometti sculptures at the Tate in my teens. I find it hard to categories myself and eschew all attempts to limit my work to a particular style. Most important to me is that my work is 'about' something. I see little point in attempting to create work that is simply attractive to the eye......it needs to have meaning. Having said that, I'm aware that meaning doesn't always have to be derived from a conscious 'left brained' activity.....hence my attempts at free expression from time to time.

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