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Painting, sumi ink on izumo paper on Other
Size: 12 W x 10 H x 0.5 D in
Ships in a Crate
Raindrops falling. At a single moment in time, a raindrop is a glistening sphere. The ancient character of rain is transformed over time into many new forms. The rain that falls in the forest, giving water to a plant that seeds a vast forest in time. Rain that begins in a trickle, grows to become a river, and swells to join the tides of the ocean. Rain that dances over the curves of a red umbrella. ãƒãƒ„ンãƒãƒ„ンã¨è½ã¡ã‚‹é›¨ã ã‚Œã®ã²ã¨ã¤ã¶ã²ã¨ã¤ã¶ã€‚å¤ä»£æ–‡å—ã®ã€Œé›¨ã€ã«ã¯ãã®ã²ã¨ã¤ã¶ã²ã¨ã¤ã¶ã«ã„ã‚ã„ã‚ãªæ™¯è‰²ãŒæµ®ã‹ã¶ã€‚森を潤ã™é›¨ã€ã›ã›ã‚‰ãŽã‚’大河ã«è‚²ã‚€é›¨ã€çœŸã£èµ¤ãªå‚˜ã«è½ã¡ã‚‹é›¨ Sumi ink on handmade Izumo paper. Floating finish, 2013 Paper size: 6" 1/2 x 8" 1/2 Frame size: 10" X 12" This piece includes the artist's seal which authenticates the original work. All our products offer the highest quality "Ready-To-Hang" comprehensive service, which includes: •Original art work •Wet Mounting: best method to preserve Japanese paper •Professional Framing: metallic gold •Matte Boards: white matte board pre-cut and pre-arranged •Non-Glare Plexi Glass : high grade non-shattering material optimal for preserving and protecting art pieces •Hanging hooks : 2 hinges and wires pre-installed in the back
Original Created:2013
Subjects:Nature
Materials:Other
Styles:ConceptualMinimalismAbstract
Mediums:sumi ink on izumo paper
Painting:sumi ink on izumo paper on Other
Original:One-of-a-kind Artwork
Size:12 W x 10 H x 0.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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As a calligrapher, my art is to embody the multiplicity of meanings that reside within language through each stroke of the brush. Every word has a resonance, and movement. Every character has its own gravitational point, which draws meaning into itself and projects its own force of meaning outward to those things which surround it. The art of the calligrapher is not, as might be expected, to clearly and directly prescribe the full meaning of a given word or character: this gives all of the weight of meaning over to the past. The meaning of a word, or of a work of art is never, in itself, fully complete. The language we use always finds itself in the precarious position of waiting on the future to provide it with new and unimaginable interpretations: to fill in the gaps in its meaning. With calligraphy, I am able to communicate my own personal take on the expression, while leaving traces of incompletion--gaps in meaning-- which leave the work open towards its many layers of future meaning.
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