VIEW IN MY ROOM
Italy
Painting, Oil on Canvas
Size: 51.2 W x 23.6 H x 0.8 D in
Ships in a Crate
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As chance would have it Painting inspired by the will of chance. We all have desires, we would like certain projects of ours to come true. Many times it's a coincidence... how many times do we tell ourselves this? As luck would have it… Well, the case must be helped, it must be fueled with a series of actions on our part, actions which bring about the occurrence of that case, which could realize our project. This nice girl, wearing a hat, does the action of concentrating, thinking intensely about making her wish come true, and ultimately finding a solution. The painting should be observed from right to left or, if we want, from left to right, reversing the actions: contentment with thinking about one's desire, thinking about it intensely and making an effort to achieve it. But behind it we also see two shadows of the little girl, two shadows who observe and try to take the case which is represented by a floating dice. What better to represent chance than a six-sided die? • * * *
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:51.2 W x 23.6 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Italy
Oil painting on canvas is the technique I prefer, sometimes replaced by pastel on cardboard, but the stroke is always the same, the style is realistic. I choose these two techniques because the first one lends itself to the composition of the painting, because starting from an initial idea, it allows me to change the image from time to time, so it is a reflective technique that slowly brings me to the final result. It allows me to arrive, if I want, to the perfection of the figures, deciding the number of passes that you want to give. The second technique serves me to understand and see immediately the subject that will be depicted, as the pastel gives almost immediate results, without having to go over the areas already painted. My genre is a surrealistic figurative that tries to tell hidden stories and emotions. The story takes place either in dreamlike, evocative and surreal landscapes or in simple contexts, depicting individuals with their shadows. When I paint subjects in landscapes I carry out an introspective search of memory: the young subject is the protagonist. This occupies the main part of a scenery created with an old house sometimes ruined (according to a time that has now passed), a wild vegetation, enriched with symbolic objects and animals that have had a particular sense in that story. I try to project the viewer in a subconscious dimension, in his memory creating a surreal environment. Painting the characters with their shadows allows me to go beyond appearance, beyond the first glance. We see the protagonist in a certain pose, always thoughtful look, with behind a shadow that seems to be his physical shadow, but that instead projects something else, his feeling, his personal essence, the one that at first glance can not be perceived immediately, but that you understand going deeper, knowing the person, his experiences and his desires, fears, expectations. The realization of the works is always starting from photos of young subjects, I choose a context, and symbols, depending on the story I want to tell and then paint in one scene. The painting sessions are different: I try to give at least three passages to all the elements of the painting, sometimes, if I do not find satisfaction, I find myself reviewing even 5 times the protagonist subject, which must tell and therefore must be as credible as possible.
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