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The light and the darkness, the outside and the inside, someone and the void, the black and the white. It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.
signature: M Lazar
The light and the darkness, the outside and the inside, someone and the void, the black and the white. It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.
The light and the darkness, the outside and the inside, someone and the void, the black and the white. It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.
The light and the darkness, the outside and the inside, someone and the void, the black and the white. It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.
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VIEW IN MY ROOM

Original

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at the window Painting

Magda Lazar

France

Painting, Acrylic on Cardboard

Size: 15.5 W x 13.8 H x 0.1 D in

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$910

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About The Artwork

The light and the darkness, the outside and the inside, someone and the void, the black and the white. It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:15.5 W x 13.8 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an artist who deals with the theme of emotions in achromatic or monochrome images, in styles such as abstract expressionism, Impressionism, realism, minimalism and others. The human figure, realistic or transformed, the objects of nature or those invented, all have symbolic value for these states. The lack of color requires a radical asceticism, an austere simplicity in an exuberant sensory world. A reduction in noise, waste of color and easy anecdotes, which invite to meditation and re-examination of the world around us. The sublimation of subtones and valuing insignificant details and undesirable objects, but which are linked to the forgotten essential, all creates a world upside down, that questions. Pointing to values such as compassion and empathy which pay attention to the misery of the world, its sadness, its loneliness, the dumbing of the voice, the lack of freedom and so on.

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