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Autumn Walk, Hampstead Heath, London Painting
United Kingdom
Painting, Oil on Canvas
Size: 18 W x 24 H x 1 D in
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About The Artwork
This painting is one from the series of Hampstead Heath landscapes. As a North Londoner, I enjoy long walks in Hampstead Heath. The three figures represent the movement of one's life in time disappearing into the autumn mist. I indulged myself painting impasto in the foreground to the the point that the brushstrokes became practically sculptural. I wanted to use the paint to create the illusion of the fallen leaves coming from the canvas to the viewer's reality. *** For my paintings I strictly follow all the rules for conservation to make sure you can enjoy them for years to come, with no fading, cracking, bubbling, warping or other problems. I try to buy the best art supplies. I use professional lines for oil paints to avoid yellowing and fading. All my paintings receive final coat of varnish. Every buyer can enjoy a peace of mind that their painting will remain unaffected by time. As long as the painting has been stored properly, I am happy to offer a free lifetime repair guarantee for each piece. Follow me on Instagram @eugeniaalekseyev to see more of my paintings and see the process how my paintings are being created.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:18 W x 24 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a passionate plain-air painter: painting outside, on location, is essential for creating my landscapes. To capture the feel and spirituality of the moment I have to work fast in plein air before the scene changes and often have to return to the locations several times to directly observe the scene and study the light and colour variations: photographs are a poor substitute to a live impression. I also paint still lives, especially flowers, and figure compositions. Similar to my landscapes I usually paint while directly observing the subject and creating multiple studies to bring genuine emotions onto the canvas.
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