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On Exibition at LA Artcore gallery
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"Offering" Painting

karen clark

United States

Painting, Watercolor on Paper

Size: 12 W x 18 H x 1 D in

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$765

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389 Views
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About The Artwork

The sky, the sea, the earth photographed from space - We are surrounded and enveloped by the color blue. For those of you who like chinoiserie, delftwork, and cyanotypes; a blue watercolor and ink pagoda, blurred by water to create a soft, flowing look. The image is both contemporary and has a bit of an antique look. It was recently shown in the LAArtcore 5th Annual Juried Exhibition in downtown Los Angeles. On Japanese paper which has a handmade, organic feel. It comes framed in a white frame with white mat and museum quality non reflective glass. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic -- Thank you for looking.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:12 W x 18 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Karen Clark is a contemporary artist based in Los Angeles. She uses oil, acrylic and collage in her quest to find magic in the ordinary. Her art has been commissioned by Louis Vuitton, the Bellagio Hotel, the Mandarin Oriental, the Virgin Hotel, Los Vegas, and an HBO series. She has sold to private collections in Sweden, France, the United Kingdom, Germany, Italy, Israel, the Netherlands, Japan, Singapore, the US and more. Her art has been featured on on Artsy, the Huffington Post, CNN, and CBS. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic -- inventively choreographing this gamut of choices into layered juxtapositions that are at once eerie and poetic, strange and familiar.

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