VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 18 W x 28 H x 1 D in
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This piece began simply as a figurative painting until I began exploring the colours and title. Primarily working in pink tones, I felt as though this work needed the addition of another colour as I had previously painted a fully pink self portrait. When the blue breast was added, I enjoyed playing around with titles and if and how these could influence a response from a viewer. A Blue Tit symbolises freedom and happiness, themes I intend for my subjects' to echo, especially within a nude. The addition of the bird perhaps makes the focus of the work more ambiguous, are we drawn more to the subject of a nude or the relationship between the female subject and the bird?
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:18 W x 28 H x 1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Ella Jackson (b.2001) lives in both London and Dorset. Graduating in 2023 from Central Saint Martins in BA (Hons) Fine art, her practice fundamentally explores human relationships and the emotion of love. Personal experiences of these themes is how her work currently exists, with the subjects within each piece being a close relative or friend. Whilst the audience may not directly know the subjects, she intends for the works to emit a sense of the familiar, connecting them to their own relationships, through colour, composition and place. The process in making the paintings begins with colour, with the manipulation of additional colours placed on a coloured surface being of interest. Her palette is predominately been warm tones of pink, orange and greens with the intention of mimicking the warmth and comfortable nature of love. Each work is a gradual build-up of delicate, intimately applied brush strokes. Whilst not adhering to the science and colour theory behind ‘Pointillism’, the style of each stroke is arguably of a similar nature. They show the labour of the artist’s hand. Whilst being laborious and time consuming, there is coherence between the paintings’ process and theme. The cumulative brush strokes imitate the gradual development of building a relationship, taking both time and effort.
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