VIEW IN MY ROOM
Australia
Painting, Oil on Paper
Size: 25.6 W x 9.8 H x 2.4 D in
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In my painting Bluster the darkness dominates the landscape, which is interrupted with splinters of light.The looming sky is heavy over the earth, suggesting an ominous storm. Viewer would feel alone but present in the eerie quietness of the landscape. The painting is encased in an oak frame protected by artist glass. It is ready to be hung on a wall.
Painting:Oil on Paper
Original:One-of-a-kind Artwork
Size:25.6 W x 9.8 H x 2.4 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Born: 1962, Hay Australia I am a Sydney-based landscape artist who completed a Masters of Art, majoring in painting, at the College of Fine Arts, Sydney, in 2013. Since then, I have been a finalist in a number of art competitions. In 2014, I was one of twelve artists selected from among a thousand to be hung in the inaugural Clyde and Co Art Project. Clyde and Co is a Sydney Law Firm. In some of my works, darkness dominates the landscape, which is interrupted with splinters of light. In many the looming sky is heavy over the earth, suggesting an ominous storm. A sliver of light penetrates the terrain, creating a glimpse of the stillness or turbulence or beauty of the landscape. Often I aim to capture the whimsical childhood moments, such as lying on the riverbank and looking up through the trees to the vast sky. The child is not present in the picture; rather, the viewer is the child. My paintings can be at once foreboding and yet inviting. In most of my works, humans are absent – and yet I ask the viewer to be present, to be alone in the space. I often apply an undercoat of thin red cadmium to the paper or canvas, to add warmth, before building up thin layers of oil paint to create the composition. Some of my paintings are of no particular place. Rather, they are places of my imagination – and the looseness in the brush strokes helps in the conjuring of these landscapes. They can range from the illusory to the hyper real. These themes have preoccupied my art practice for several years, spurred by my wanderings through dark places and by my memories of a childhood in the outback, on the Hay Plains.
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