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During the emanation, something like a cosmic catastrophe happened: The light emanating from God had to be gathered in the separate sephiries serving as their vessels, the first 3 sephiri retained their part of the light, but the light for the next seven was poured out on them at the same time, and so they broke one after another - this is the "breaking of the vessels". From the fallen parts of the Sephiers, the material world of the Kelli (the "shells"), the forces of evil, formed. They are trying to keep the light that has fallen among them because they get their vital force from it. It, on the contrary, tries to rise up as part of the restoration process that began after the dismantling of the vessels. A part of it has failed to do so, and the world has been found to be lower than the original intention of God - in His plan this should be a world in which matter does not participate. It turned out that God created not this world that he wanted. All subsequent Creation processes aim to overcome this accident, so the teaching of restoration occupies the largest part of the Lutheran Kabbalah. According to her, the purpose of human activity is to support the restoration, in which the world will rise to its originally presumed place and will separate itself from the world of shells. Milen Ruskov "Pocket Encyclopedia of the Mysteries"
During the emanation, something like a cosmic catastrophe happened: The light emanating from God had to be gathered in the separate sephiries serving as their vessels, the first 3 sephiri retained their part of the light, but the light for the next seven was poured out on them at the same time, and so they broke one after another - this is the "breaking of the vessels". From the fallen parts of the Sephiers, the material world of the Kelli (the "shells"), the forces of evil, formed. They are trying to keep the light that has fallen among them because they get their vital force from it. It, on the contrary, tries to rise up as part of the restoration process that began after the dismantling of the vessels. A part of it has failed to do so, and the world has been found to be lower than the original intention of God - in His plan this should be a world in which matter does not participate. It turned out that God created not this world that he wanted. All subsequent Creation processes aim to overcome this accident, so the teaching of restoration occupies the largest part of the Lutheran Kabbalah. According to her, the purpose of human activity is to support the restoration, in which the world will rise to its originally presumed place and will separate itself from the world of shells. Milen Ruskov "Pocket Encyclopedia of the Mysteries"
During the emanation, something like a cosmic catastrophe happened: The light emanating from God had to be gathered in the separate sephiries serving as their vessels, the first 3 sephiri retained their part of the light, but the light for the next seven was poured out on them at the same time, and so they broke one after another - this is the "breaking of the vessels". From the fallen parts of the Sephiers, the material world of the Kelli (the "shells"), the forces of evil, formed. They are trying to keep the light that has fallen among them because they get their vital force from it. It, on the contrary, tries to rise up as part of the restoration process that began after the dismantling of the vessels. A part of it has failed to do so, and the world has been found to be lower than the original intention of God - in His plan this should be a world in which matter does not participate. It turned out that God created not this world that he wanted. All subsequent Creation processes aim to overcome this accident, so the teaching of restoration occupies the largest part of the Lutheran Kabbalah. According to her, the purpose of human activity is to support the restoration, in which the world will rise to its originally presumed place and will separate itself from the world of shells. Milen Ruskov "Pocket Encyclopedia of the Mysteries"
During the emanation, something like a cosmic catastrophe happened: The light emanating from God had to be gathered in the separate sephiries serving as their vessels, the first 3 sephiri retained their part of the light, but the light for the next seven was poured out on them at the same time, and so they broke one after another - this is the "breaking of the vessels". From the fallen parts of the Sephiers, the material world of the Kelli (the "shells"), the forces of evil, formed. They are trying to keep the light that has fallen among them because they get their vital force from it. It, on the contrary, tries to rise up as part of the restoration process that began after the dismantling of the vessels. A part of it has failed to do so, and the world has been found to be lower than the original intention of God - in His plan this should be a world in which matter does not participate. It turned out that God created not this world that he wanted. All subsequent Creation processes aim to overcome this accident, so the teaching of restoration occupies the largest part of the Lutheran Kabbalah. According to her, the purpose of human activity is to support the restoration, in which the world will rise to its originally presumed place and will separate itself from the world of shells. Milen Ruskov "Pocket Encyclopedia of the Mysteries"
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"breaking the dishes( klipot) Painting

Angela Gabriel

Bulgaria

Painting, canvas on Canvas

Size: 23.6 W x 15.7 H x 1.2 D in

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Originally listed for $2,610
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About The Artwork

During the emanation, something like a cosmic catastrophe happened: The light emanating from God had to be gathered in the separate sephiries serving as their vessels, the first 3 sephiri retained their part of the light, but the light for the next seven was poured out on them at the same time, and so they broke one after another - this is the "breaking of the vessels". From the fallen parts of the Sephiers, the material world of the Kelli (the "shells"), the forces of evil, formed. They are trying to keep the light that has fallen among them because they get their vital force from it. It, on the contrary, tries to rise up as part of the restoration process that began after the dismantling of the vessels. A part of it has failed to do so, and the world has been found to be lower than the original intention of God - in His plan this should be a world in which matter does not participate. It turned out that God created not this world that he wanted. All subsequent Creation processes aim to overcome this accident, so the teaching of restoration occupies the largest part of the Lutheran Kabbalah. According to her, the purpose of human activity is to support the restoration, in which the world will rise to its originally presumed place and will separate itself from the world of shells. Milen Ruskov "Pocket Encyclopedia of the Mysteries"

Details & Dimensions

Painting:canvas on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 15.7 H x 1.2 D in

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Angela ( Minkova) Gabriel. Born on April 8 1955 in Bulgaria, Europe Angela Gabriel is one of the defining Bulgarian contemporary artists of her generation. Having graduated from the Bulgarian Academy of Fine Art, her work spans decades and is forged by the constantly shifting social, cultural, and political landscapes of the twentieth century. She has shown her work in 63 individual and group exhibitions and projects. Her work takes one away from the ephemeral and into the eternal, with a faint trace of the absurdity we call real life. The spaces she shows are where we all meet in our dreams – the realm that transcends borders and language. In this refuge, we have the chance to think and feel in peace, to be at once together and alone. Angela Minkova’s works are in the collections of the National Art Gallery, Sofia City Art Gallery, City Art Gallery - Dobrich, City Gallery - Plovdiv, Museum of Drawing “El Ferol”, Spain, Leilo Spinelly - Italy, Maurizzio Rocci, Clemente - bewer centre - Holland, Wurzburg, Shutgard-German, Santa Fe, Deloney gallery, Aloha art centre - Kauaii - Ny – the USA and in private collections in Bulgaria, Germany, Turkey, the USA and the UK. She has won the following awards: First prize, International Biennial of Humor and Satire, Gabrovo, Bulgaria (1985); Second prize, International Biennale of Humor and Satire, Gabrovo, Bulgaria (1987); First Prize, International Biennial of Graphic Arts, Varna (1989); First prize, International Biennale of Drawing, El Ferol, Spain (1991). Leilo Spinelly - Italy, Maurizzio Rocci, Clemente - bewer centre - Holland Wurzburg, Shutgard - German Santa Fe, Deloney gallery, Aloha art centre - Kauaii - NY - USA And in private collections in Bulgaria, Germany, Turkey, USA and UK. If somebody tries to convince you they know how the creative process starts, I suggest you don’t fall for it, nobody knows. For the Russian writer Bounin, for instance, it all began when he was five. As he was paging through a medical book, he saw the profile of a man against a hilltop and the words: “A cretin in the mountains.” A colleague of mine grabbed a brush because he spent his childhood slaving away at a big black piano and wanted to taste the freedom the colourful paint-box promised. Dante wrote when he was in love, Pushkin - quite the opposite: “Love passed, a Muse came…” And what can be derived from all this?! The rapture of creation? In reality, I am mostly embittered by disappointment.

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