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Bryce Canyon I Painting
United States
Painting, Oil on Canvas
Size: 30 W x 48 H x 1.5 D in
Ships in a Crate
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About The Artwork
'Bryce Canyon I' is a 48"x30" oil painted on stretched canvas. It was painted in my Arizona studio in November of 2023 from color noted drawings and photographs taken on location at Utah's Bryce Canyon on a visit there in 2022. The image is somewhat abstract and features a vivid color palette of crimson, rust, amber and dark purple shades, with patches of light yellow for a strong contrast. The combination of colors and shapes gives the painting its strong sunlit canyon impression. The overall texture is smooth, without pronounced brushstrokes, enhancing the abstract interpretation of the canyon landscape. The focus is on the play of light, shadow, and color, rather than fine details, which gives the work its dynamic and bold character. Prepared for hanging, it will be shipped in a FREE gallery style painted wood frame originally made for the painting's protection and my own display. A Certificate of Authenticity will be included.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:30 W x 48 H x 1.5 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Loren Dunlap’s innovative two-dimensional design program at John Herron Art Institute in Indianapolis was an early influence that persists today in my approach to painting. It gave me a unique foundation – a specific point of view. After two years at Herron, I received a scholarship from Tulane University’s Sophie Newcomb in New Orleans. The Abstract Expressionists were all the rage in ‘the art world’ then; DeKooning and that crowd. (One of the most celebrated, Helen Frankenthaler, while only briefly my instructor at Newcomb, absolutely changed my way of thinking about the making of art.) From Tulane, I was selected to work on the Owenite restoration Project in New Harmony, Indiana and was an adviser and instructor for the Blaffer Foundation Art Project that followed. I came to Hawaii by chance in the summer of nineteen seventy-eight and began a long-lasting affiliation with Lynn Shue and her Village Gallery Contemporary in Lahaina. I have been a resident of Maui ever since. [Since the summer of 2014 I have also been spending part of each year in Arizona and working out of my studio there.]
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