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'But Trust Me on the Sunscreen' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 36 H x 1.5 D in

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Ladies and gentlemen of the class of '97 Wear sunscreen If I could offer you only one tip for the future, sunscreen would be it A long-term benefits of sunscreen have been proved by scientists Whereas the rest of my advice has no basis more reliable Than my own meandering experience, I will dispense this advice now Enjoy the power and beauty of your youth, oh, never mind You will not understand the power and beauty of your youth Until they've faded, but trust me, in 20 years, you'll look back At photos of yourself and recall in a way you can't grasp now How much possibility lay before you and how fabulous you really looked You are not as fat as you imagine Don't worry about the future Or worry, but know that worrying Is as effective as trying to solve an algebra equation by chewing Bubble gum The real troubles in your life Are apt to be things that never crossed your worried mind The kind that blindsides you at 4 p.m. on some idle Tuesday Do one thing every day that scares you Saying, don't be reckless with other people's hearts Don't put up with people who are reckless with yours Floss Don't waste your time on jealousy Sometimes you're ahead, sometimes you're behind The race is long and in the end, it's only with yourself Remember compliments you receive, forget the insults If you succeed in doing this, tell me how Keep your old love letters, throw away your old bank statements Stretch Don't feel guilty if you don't know what you want to do with your life The most interesting people I know Didn't know at 22 what they wanted to do with their lives Some of the most interesting 40-year-olds I know still don't Get plenty of calcium Be kind to your knees You'll miss them when they're gone Maybe you'll marry, maybe you won't Maybe you'll have children, maybe you won't Maybe you'll divorce at 40, maybe you'll dance the 'Funky Chicken' On your 75th wedding anniversary Whatever you do, don't congratulate yourself too much Or berate yourself either Your choices are half chance, so are everybody else's Enjoy your body, use it every way you can Don't be afraid of it or what other people think of it It's the greatest instrument you'll ever own Dance, even if you have nowhere to do it but your own living room Read the directions even if you don't follow them Do not read beauty magazines, they will only make you feel ugly Get to know your parents, you never know when they'll be gone for good Be nice to your siblings, they're your best link to your past And the people most likely to stick with you in the future Understand that friends come and go But a precious few, who should hold on Work hard to bridge the gaps in geography and lifestyle For as the older you get The more you need the people you knew when you were young Live in New York City once but leave before it makes you hard Live in northern California once but leave before it makes you soft Travel Accept certain inalienable truths Prices will rise, politicians will philander, you too, will get old And when you do, you'll fantasize that when you were young Prices were reasonable, politicians were noble And children respected their elders Respect your elders Don't expect anyone else to support you Maybe you have a trust fund, maybe you'll have a wealthy spouse But you never know when either one might run out Don't mess too much with your hair Or by the time you're 40 it will look 85 Be careful whose advice you buy but be patient with those who supply it Advice is a form of nostalgia, dispensing it is a way of fishing the past From the disposal, wiping it off, painting over the ugly parts And recycling it for more than it's worth But trust me on the sunscreen ‘Everybody’s Free (To Wear Sunscreen)’ by Baz Luhrmann Songwriter: Mary Schmich "Advice, like youth, probably just wasted on the young", commonly known by the title "Wear Sunscreen", is an essay written as a hypothetical commencement speech by columnist Mary Schmich, originally published in June 1997 in the Chicago Tribune. The essay, giving various pieces of advice on how to live a happier life and avoid common frustrations, spread massively via viral email, is often erroneously described as a commencement speech given by author Kurt Vonnegut at MIT. The essay became the basis for a successful spoken word song released in 1997 by Baz Luhrmann, "Everybody's Free (To Wear Sunscreen)", also known as "The Sunscreen Song". The song reached number one in Ireland and the United Kingdom and inspired numerous parodies. Chicago Tribune Column: Mary Schmich's column "Advice, like youth, probably just wasted on the young" was published in the Chicago Tribune on June 1, 1997. In the column's introduction Schmich presents the essay as the commencement speech she would give if she were asked to give one. In the speech she insistently recommends the wearing of sunscreen, and dispenses other advice and warnings which are intended to help people live a happier life and avoid common frustrations. She later explained that the inspiration came from seeing a young woman sunbathing, and hoping that she was wearing sunscreen, unlike what Schmich herself did at that age. The essay soon became the subject of an urban legend which claimed it was an MIT commencement speech given by author Kurt Vonnegut. In reality, MIT's commencement speaker in 1997 was Kofi Annan and Vonnegut had never been a commencement speaker there. Despite a follow-up article by Schmich on August 3, 1997, the story became so widespread that Vonnegut's lawyer began receiving requests to reprint the speech. Vonnegut commented that he would have been proud had the words been his. Schmich published a short gift book adaptation of the essay, Wear Sunscreen: A Primer for Real Life, in 1998. A tenth anniversary edition was published in 2008. Baz Luhrman Version: The essay was used in its entirety by Australian film director Baz Luhrmann on his 1998 album Something for Everybody, as "Everybody's Free (To Wear Sunscreen)". It was released in some territories in 1997, with the speech (including its opening words, "Ladies and Gentlemen of the Class of '97") completely intact. This version appeared in the Triple J Hottest 100 of that year at number 16 in the countdown, and was released on the subsequent CD in early 1998. In the United Kingdom, the song was released on May 31, 1999. Also known as "The Sunscreen Song", it sampled Luhrmann's remixed version of the song "Everybody's Free (To Feel Good)" by Rozalla, and opened with the words, "Ladies and Gentlemen of the Class of '99" (instead of "'97", as in the original column). It was later released as a single in 1999, appearing at the end and during the credits of the 1999 movie, "The Big Kahuna." Luhrmann explained that Anton Monsted, Josh Abrahams, and he were working on the remix when Monsted received an email with the supposed Vonnegut speech. They decided to use it but were doubtful of getting through to Vonnegut for permission before their deadline, which was only one or two days away. While searching the Internet for contact information they came upon the "Sunscreen" authorship controversy and discovered that Schmich was the actual author. They emailed her and, with her permission, recorded the song the next day. The song features a spoken-word track set over a mellow backing track. The "Wear Sunscreen" speech is narrated by Australian voice actor Lee Perry. The backing is the choral version of "Everybody's Free (To Feel Good)", a 1991 song by Rozalla, used in Luhrmann's film William Shakespeare's Romeo + Juliet. The chorus, also from "Everybody's Free", is sung by Quindon Tarver. The song was a top ten hit across Europe, but largely obscure in the US until Aaron Scofield, a producer in Phoenix, edited the original 12-inch version into a segment of a syndicated radio show called Modern Mix. This show played on many stations in the United States. In Portland, Oregon—where Modern Mix played on KNRK—listeners began requesting the track. KNRK program director Mark Hamilton edited the song for time and began playing it regularly. He distributed the song to other program directors that he networked with and the song exploded in the US. There are four versions of the song: the original 7:09 minute mix from the album Baz Luhrmann Presents: Something for Everybody; a 1999 single release which features a 5:05 minute edit that lacks both choruses; "Geographic's Factor 15+ Mix" that runs for 4:42 minutes; and a "2007 Mix" of the original 7:09 minute version released on the 10th Anniversary Edition of the William Shakespeare's Romeo + Juliet soundtrack on which the opening words are changed to "Ladies and gentlemen of the class of 2007". The song also appeared in Germany and was soon followed by a German version with the title "Sonnencreme". The German translation is narrated by the German actor Dieter Brandecker. A Brazilian version, entitled "Filtro Solar", is narrated in Portuguese by journalist and TV presenter Pedro Bial and was released in the last 2003 edition of the program Fantástico, on Rede Globo. This version became a radio success in 2004. A Russian adaptation of the song, recorded live by Silver Rain Radio, was performed by Alex Dubas and Yolka. An Israeli adaptation of the song, named "Matters One Should Know" (דברים שכדאי לדעת), was recorded and released for the Israeli Children's channel in 2004 by Avri Gilad, Rinat Gabay and MC Shiri. Bazmark "Baz" Luhrmann (born Mark Anthony Luhrmann, 17 September 1962) is an Australian director, writer, and producer with projects spanning film, television, opera, theatre, music, and recording industries. He is regarded by many as a contemporary example of an auteur for his style and deep involvement in the writing, directing, design, and musical components of all his work. He is the most commercially successful Australian director, with four of his films in the top ten highest worldwide grossing Australian films of all time. On the screen he is best known for his "Red Curtain Trilogy", consisting of his romantic comedy film Strictly Ballroom (1992), the romantic tragedy William Shakespeare's Romeo + Juliet (1996), and Moulin Rouge! (2001). Following the trilogy, projects included Australia (2008), The Great Gatsby (2013), and his television period drama The Get Down for Netflix. Additional projects include stage productions of Giacomo Puccini's La bohème for both the Australian Opera and Broadway and Strictly Ballroom the Musical. Luhrmann is equally known for his Grammy-nominated soundtracks for Moulin Rouge! and The Great Gatsby, as well as his record label House of Iona, a co-venture with RCA Records. Serving as producer on all of his musical soundtracks, he also holds writing credits on many of the individual tracks. His album Something For Everybody features music from many of his films and also includes his hit "Everybody's Free (To Wear Sunscreen)". Luhrmann's influence has extended outside the traditional realm of media and entertainment. Deeply involved in the fashion and art worlds, Luhrmann's No. 5 the Film for Chanel not only holds a Guinness World Record for the highest budget for an advertising commercial ever produced, but pioneered the now commonplace genre of fashion film and branded content. Luhrmann works closely with the Metropolitan Museum of Art's Anna Wintour Costume Center, having chaired the annual Met Gala as well as producing a short film for the museum, celebrating Miuccia Prada and Elsa Schiaparelli. More recently he and his wife Catherine Martin have adapted their style for projects in events, retail, architecture and design with Barneys New York and developer and hotelier Alan Faena. Mary Theresa Schmich (/ʃmiːk/ SHMEEK; born November 29, 1953) is an American journalist. She was a columnist for the Chicago Tribune from 1992 to 2021, winning the Pulitzer Prize in 2012. Her columns were syndicated nationally by Tribune Content Agency. She wrote the comic strip Brenda Starr, Reporter for the last 28 of its 60 years and she wrote the 1997 column "Wear Sunscreen", with the often quoted "Do one thing every day that scares you", frequently misattributed to Eleanor Roosevelt. Source: Wikipedia "I don't know much about this Cable fella… but I guarantee he hasn’t killed as many people as melanoma has." -Sugarbear

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 36 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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