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The physical body emits energetic rays that surround the body and is known as the Aura. The Aura can be seen when the human system is attuned to higher level light wave frequencies. The body in this image is red; The aura blue. The Cycle of Life painting series is about dwelling on the human life essence; where are we from? What are we made of and where are we heading? COL 1561 is part of the Cycle of Life series that follows Deep Space and Human Formation. Cycle of Life looks at the similarity of the largest and smallest building blocks of our universe. The medium is my mult-layered technique using cold tar, oil and acrylic paints. The materials are moved around on the canvas in cyclic movements, taking days and sometimes weeks to complete.
Oil on Canvas
One-of-a-kind Artwork
70.9 W x 39.4 H x 1.2 D in
Not Framed
Not applicable
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Israel.
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First came the awe about the starry nights then the words to describe my inspiration. I started writing in my twenties, it took more than 15 years for colors and shapes to join and be part of my self-expression. In my FLY book I wrote about our place as sparkling entities within the vastness of a dark universe, when I started to paint, stars and galaxies landed on my canvases. Then I was exposed to Lennart Nilsson's inner body photography and, I was amazed about the similarity between stars and ovum, comets and sperms, embryos, and galaxies, so, on big canvases, I created my version of the beginning of human life. From those two series, 'Deep Space' and 'Human Formation', emerged my current body of works 'Cycles of Life'. In my belief life and death are on the same bar of existence and there is no 'out there'. My method is called Free the Life within You, FLY is about the freedom to dare, cross the lines, be spontaneous, to mix oil and acrylic with cold tar in an unpredictable process, and to embrace the unexpected results. Since 2009 I have been teaching FLY workshops around the globe. I believe that making and teaching art is my part of a collective effort to enlighten our world.
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