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Cambridge spies Painting

Pavel Pashkin

Russia

Painting, Acrylic on Canvas

Size: 63 W x 39.4 H x 0.4 D in

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About The Artwork

After being held in Moscow for a short period, Burgess and Maclean were sent to Kuybyshev, an industrial city which Burgess described as "permanently like Glasgow on a Saturday night". He and Maclean were granted Soviet citizenship in October 1951, and took fresh identities: Burgess became "Jim Andreyevitch". Unlike Maclean, who learned the language and quickly took up useful work, Burgess spent much of his time reading, drinking, and complaining to the authorities about his treatment – he had not intended his stay to be permanent. He expected to be permitted to return to England, where he thought he could brazen out his MI5 interrogation. He also found the Soviets intolerant of homosexuality, although eventually he was allowed to retain a Russian lover, Tolya Chisekov. By early 1956 Burgess had moved back to Moscow, to a flat on Bolshaya Pirogovskaya Street, and was working part-time at the Foreign Literature Publishing House, promoting the translation of classic British novels. Maclean, unlike Burgess, assimilated into the Soviet Union and became a respected citizen, learning Russian, earning a doctorate and serving as a specialist on the economic policy of the West and British foreign affairs. Burgess learned only enough Russian to just manage to get by in Moscow while Maclean worked very hard at becoming fluent in Russian. After a brief period of teaching English in Kuybyshev (now Samara) at a Russian provincial school, Maclean joined the staff of International Affairs in early 1956 as a specialist on British home and foreign policy and relations between the Soviet Union and NATO. He shared a small room with his new Soviet colleagues on the second floor of the journal's premises on Gorokhovsky Pereulok. He also worked for the Soviet Foreign Ministry and the Institute of World Economy and International Relations. In 1956, the Soviet government first revealed that Maclean and Burgess were living in Moscow, though the TASS statement denied that they were spies, claiming that they had gone behind the Iron Curtain to "further understanding between East and West" for the sake of world peace.

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:63 W x 39.4 H x 0.4 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1967. Graduated from the Art School. Late 1980s, early 1990s created artwork for interiors, portraits, street advertising, participated in city exhibitions and fairs. Since the mid-1990s in graphic design in the field of trademark development, trademarks, logos, posters, print design, managed its design studio specializing in creating logos and corporate identity, poster design, labels, packaging. Activities in the field of advertising and graphic design aroused interest in contemporary art, and since 2010 he has tried himself in different styles and mediums. In 2011, he began participating in art exhibitions. Since 2014, she has been focusing on painting portraits using acrylic technique. In 2017, a personal exhibition was held as a portrait artist, “Renaissance in manner of stroke" as part of the Victoria Gallery triennial. In 2019, one of the four participants and organizer of the exhibition “Quadriga” in the gallery “New Space”, 15 new works were presented, mostly portraits. In 2020, he participates in four exhibitions in Samara, Tolyatti and Rome. Presents in his works at the exhibition “Yesterday, Today, Tomorrow” genre of realistic modern portrait at the intersection with poster. In 2021 he acts as one of the curators of the project “Signs, Symbols and Myths”, exhibition which features 70 artists and takes place in four cities. In 2022, he will participate in six group exhibitions, including the Interregional academic research project of the Russian Academy of Arts and the Creative Union of Artists of Russia “Red Gate” / “Against the Current”. In 2023, Pavel participates in two exhibitions and joins the Creative Union of Artists of Russia. In the paintings of Pavel Pashkin, a modern interpretation of the portrait can be traced, one can feel smooth transition from realism to posterity and non-objective for actual sound painting in the digital age.

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