VIEW IN MY ROOM
Brazil
Painting, Acrylic on Canvas
Size: 15.7 W x 19.7 H x 0.1 D in
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The art series "CAVAE SCUTUM" , Hollow Shields from Latin, explores the hollow emotional and psychological defenses that modern society has created seeking isolation. The critical political and social aspects of this artwork, at first glance, depicts the contrasting physical appearances of the two individuals, one fat and the other emaciated, representing different social classes and power dynamics, but looking closely it is full of symbolism. The obese man holding a thorny cross that slips from his hands, as a symbol associated with Christianity, that implies the weight of moral or religious expectations, which he is incapable to fulfill. On the other hand, the emaciated man, by assuming the role of the executioner, may symbolizes the marginalized and oppressed class carrying out the punishment on behalf of the ruling class. Maybe against them selves and against those that the rulers want away from their path. The unconventional nature of the gallows, with a complex system of pulleys and ropes, highlights the idea of a convoluted power structure. The rope passing through multiple pulleys before reaching the hands of the executioner suggests a lack of transparency in the exercise of power. This depiction implies that the ruling class employ intricate mechanisms to maintain control and distance themselves from the consequences of their actions. .
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:15.7 W x 19.7 H x 0.1 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Brazil
René was born in the 60's, in São Paulo, Brazil, during the Military Dictatorship. Art bloomed in his childhood, in the 70's and his formal artistic preparation and training took place during the adolescence, between 13 and 17 years of age, when he studied art history, artistic movements and various painting techniques. For years, René developed his singular style, an amalgamation of different influences passing through enshrined names from comic books, pop art, the great classics and modern masters, contemporary art, and everything else his unquiet mind can absorb. Each artwork has a dense narrative full of details. It is like little stories that are relevant for the big picture. Sometimes, the protagonist is just a spectator, who placidly observes the scene depicted or protagonist is the viewer himself, establishing a dialogue between the collective and the individual simultaneously. Aside his career as an artist, René was an executive in the Brazilian publishing market, being a publisher and editor of magazines and books Rene's art is innovative and shares his feelings about human existence, using allegories to represent people's daily lives. His vision as an artist is to suppress his own ego from his artwork in order to create a mirror where the viewer can see himself.
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