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When something terrible and irreversible happens in life, like death or trauma, it’s desperately hard to outlive it. Big dolor gets easier when you can carefully translate it into restrained grief. The feeling of dolor eats and destroys a person from inside, and the feeling of grief consolidates and strengthens. Grief is an adult feeling.

The death of the beetle represents the manifestation of the fact, that something has happened, but it’s not that scary as it may seem at first. Children, playing, buried the beetle in the pile of the fallen leaves, and then they forgot about it. The death of the beetle is not a terrible event, which evokes dolor. The death of the beetle is just a little bit sad. It can be outlived. And the spring is on its way. The seeds on the hills near the house, where the children live, have started to germinate.

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The painting was exhibited:

1 – 18 October 2020 – One day after…, international art project, Museum-exhibition center of modern art, Kyiv History Museum, Kyiv, Ukraine

26 June – 31 July 2020 - The LOST festivals, Annual International Contemporary Arts Festival, Lacuna Festivals, Canary Islands, Spain

2 – 28 June 2020 – Two Dots, online exhibition, NV Gallery

20 February – 13 March 2020 – Thin Dreams, personal project, PM Gallery, Lviv, Ukraine
When something terrible and irreversible happens in life, like death or trauma, it’s desperately hard to outlive it. Big dolor gets easier when you can carefully translate it into restrained grief. The feeling of dolor eats and destroys a person from inside, and the feeling of grief consolidates and strengthens. Grief is an adult feeling.

The death of the beetle represents the manifestation of the fact, that something has happened, but it’s not that scary as it may seem at first. Children, playing, buried the beetle in the pile of the fallen leaves, and then they forgot about it. The death of the beetle is not a terrible event, which evokes dolor. The death of the beetle is just a little bit sad. It can be outlived. And the spring is on its way. The seeds on the hills near the house, where the children live, have started to germinate.

​

The painting was exhibited:

1 – 18 October 2020 – One day after…, international art project, Museum-exhibition center of modern art, Kyiv History Museum, Kyiv, Ukraine

26 June – 31 July 2020 - The LOST festivals, Annual International Contemporary Arts Festival, Lacuna Festivals, Canary Islands, Spain

2 – 28 June 2020 – Two Dots, online exhibition, NV Gallery

20 February – 13 March 2020 – Thin Dreams, personal project, PM Gallery, Lviv, Ukraine
When something terrible and irreversible happens in life, like death or trauma, it’s desperately hard to outlive it. Big dolor gets easier when you can carefully translate it into restrained grief. The feeling of dolor eats and destroys a person from inside, and the feeling of grief consolidates and strengthens. Grief is an adult feeling.

The death of the beetle represents the manifestation of the fact, that something has happened, but it’s not that scary as it may seem at first. Children, playing, buried the beetle in the pile of the fallen leaves, and then they forgot about it. The death of the beetle is not a terrible event, which evokes dolor. The death of the beetle is just a little bit sad. It can be outlived. And the spring is on its way. The seeds on the hills near the house, where the children live, have started to germinate.

​

The painting was exhibited:

1 – 18 October 2020 – One day after…, international art project, Museum-exhibition center of modern art, Kyiv History Museum, Kyiv, Ukraine

26 June – 31 July 2020 - The LOST festivals, Annual International Contemporary Arts Festival, Lacuna Festivals, Canary Islands, Spain

2 – 28 June 2020 – Two Dots, online exhibition, NV Gallery

20 February – 13 March 2020 – Thin Dreams, personal project, PM Gallery, Lviv, Ukraine
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Children bury the beetle Painting

Olena Kayinska

Ukraine

Painting, Acrylic on Canvas

Size: 55.1 W x 39.4 H x 0.8 D in

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About The Artwork

When something terrible and irreversible happens in life, like death or trauma, it’s desperately hard to outlive it. Big dolor gets easier when you can carefully translate it into restrained grief. The feeling of dolor eats and destroys a person from inside, and the feeling of grief consolidates and strengthens. Grief is an adult feeling. The death of the beetle represents the manifestation of the fact, that something has happened, but it’s not that scary as it may seem at first. Children, playing, buried the beetle in the pile of the fallen leaves, and then they forgot about it. The death of the beetle is not a terrible event, which evokes dolor. The death of the beetle is just a little bit sad. It can be outlived. And the spring is on its way. The seeds on the hills near the house, where the children live, have started to germinate. ​ The painting was exhibited: 1 – 18 October 2020 – One day after…, international art project, Museum-exhibition center of modern art, Kyiv History Museum, Kyiv, Ukraine 26 June – 31 July 2020 - The LOST festivals, Annual International Contemporary Arts Festival, Lacuna Festivals, Canary Islands, Spain 2 – 28 June 2020 – Two Dots, online exhibition, NV Gallery 20 February – 13 March 2020 – Thin Dreams, personal project, PM Gallery, Lviv, Ukraine

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:55.1 W x 39.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Olena Kayinska. I'm an artist. I'm happy to do what I love the most. I want to make you happy as well with the help of my paintings. My paintings-dreams take the observers inside, to the subconscious, to the core. Trying to find the inner self, the observer wanders through the imaginary world, fantastic forests, filled with symbolic images and archetypical symbols, inhabited with mysterious creatures, each of which provides a guide to the final destination – our heart. My aim is to make people happier. My paintings show the endlessness of obvious and unobvious relationships in this world with the help of mysterious storylines with the metaphysical sense. Being the guide between the worlds, I mix reality and magic in a genuine meditative form of my witchcraft. Direct ascetism of the flat surfaces, completeness, and persuasiveness of the compositions, seamless statics, graphical coding of the deep sense into the schematic images, order, and rhythm of the painting focus the observer’s attention on what is underneath. I want to return the observers to the pure, sincere, and spontaneous experience of the outer world, which we all had in our childhood. Children observe the world as it is, directly, without thinking. My paintings are childishly simple and straightforward. They help recall the child’s state of trust and safety, the state of interest in the world around, the state of fabulousness and love. As if you are being held in hands and told a fairy tale. When we manage to recall this fundamental state and restore the feeling of trust and pureness, the world starts showing us its magnanimous side. My paintings are portals of returning to the pure child’s state of mind and to the joy of being. ​

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