VIEW IN MY ROOM
United Kingdom
Painting, Oil on Wood
Size: 20 W x 16 H x 1.5 D in
Christina, King of the Swedes, Goths and Vandals 1626 - 1689 (Reign: 1632 - 1654) Christina is celebrated as one of the most educated women of the 1600’s. Intelligent yet also strident and moody, she rejected the stereotypical behaviours expected from a female of her time and position. She outraged many by her extraordinary manners and habit of dressing in men’s clothing, and scandalised her court by first deciding not to marry and ultimately abdicating in 1654 in order to publicly worship as a Roman Catholic, at which point she moved to Rome. Christina was the third daughter and only surviving child of her parents. Initially pronounced a boy at birth due to an abundance of dark hair and a strong, hoarse voice, her mother became deeply depressed when the mistake was corrected and would have little to do with her for the rest of her life. Her father King Gustavus Adolfus however, with his well-earned reputation as a pragmatist, simply declared “She’ll be clever, she has made fools of us all!”. For her first 6 years until his untimely death at The Battle of Lützen, Christina and her father shared a close relationship, in which, officially recognised as his female heir, she was treated exactly the same as if she had been a son. She was thus educated as if she had been a Royal Male, learning at least 8 languages and being described by one tutor as having “a bright intelligence... She is not at all like a female”. Although called “Queen,” the official title she held as of her coronation by the Riksdag in February 1633 was in fact King. Original works available at The Martin Tinney Gallery, Cardiff
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:20 W x 16 H x 1.5 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
I began producing elaborate mixed media pieces while on my long stay in Venice, making use of the city-floor ephemera of discarded museum leaflets and postcards. Incorporating ‘scraps’ of the past, sourced from secondhand books and magazines, and the maps I grew up with as the child of an intrepid Geophysicist, I produced a diary of sorts, the alternative reality of a history I invented for myself. I have since developed this way of working, often inspired by current events, creating ‘intricate scenes of social malfunction’, my investigations into ‘the human condition’ through a series of imagined portraits. I studied Fine Art at Oxford Brookes University, spending my final year at The School of the Art Institute of Chicago on an extended travel award. Graduating in 1992 I moved back to London, where for a time I slipped into the world of graphic design and illustration, working for Raymond Loewy International, and subsequently becoming Course Tutor at Lambeth College, and later a lecturer at Worcester University. By the late 1990s, emboldened to pursue my painting career by formidable gallery owner and art advocate the late Elizabeth Organ, a series of events shaped my subsequent work, beginning with the move from London to unfeasibly feudal Herefordshire, a turbulent marriage in a ‘Gormenghast’ of a castle, and a subsequent period of exile in Venice. My work has most recently been shown at the Royal West of England Academy, Bristol and the Mernier Gallery, London, with an increasing following of private European collectors from Southern France to Croatia. Represented by: The Martin Tinney Gallery Cardiff http://www.artwales.com/ Gala Fine Art, Bristol http://galafineart.uk
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