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;Clear and Calm' in my Studio
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'Clear and Calm' in Situ
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Clear and Calm Painting

Janet Gammans

United Kingdom

Painting, Acrylic on Canvas

Size: 14.5 W x 26.5 H x 2 D in

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$2,190USD

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About The Artwork

'Clear and Calm' is a beautiful still life painting, neutral in colour tone and of nature and the natural world. Stones, pebbles, seaweed, sea anemone, fish within clear water by the coastline of the sea shore. It has unique and subtle textural qualities and is painted by the Award Winning Artist Janet Gammans. This tall, semi abstract and slightly impressionistic landscape artwork is painted in acrylic medium with muted natural tones of grey, silver, pinkish tones and blue. The colors work harmoniously to create continuity throughout. It is has, hopefully, to the viewer, a calming and peaceful effect to the mind, as was my intention to convey at the time. With its tones of light and dark it brings depth and contrast to create great impact. Pastel shades against the textured rock and seaweed add to this atmospheric ethereal coastal work of art. Due to the natural color palette used, this is a painting to highlight and enhance almost any decor or room in your home. It has been painted on a deep edge canvas and framed in a 'floating' style chunky wood, warm white, neutral, satin finish frame.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:14.5 W x 26.5 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Janet works from her studio in South Cambridgeshire, as a freelance artist, supplying semi abstract, impressionistic and fine art to publishing companies worldwide. Her paintings are sold from galleries throughout the South of England and internationally via the web. She has become a much recognized artist for her subject matter and her unique creative style of work. ʺI enjoy experimenting with all mediums but watercolor and acrylic are the ones I find most satisfying. Depending on the subject, I find that it would either lend itself more to the delicate touches of watercolor or to the stronger and more vibrant colors of acrylic paint and each would allow me to translate a ‘mood’ a subject might evoke”. I have come to realize that it’s not ‘what you paint’ that is important, but ‘how you paint it’. So in my interpretation of painting a subject, I try to maintain the essence of what first inspired me to paint it. For me, what is fundamental in my paintings are light, subtlety of color, harmony, depth and drama, while still staying true to the subject. In my finished work, I hope that I have conveyed to the viewer a sense of mood, which was present at the time of painting it.ʺ

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