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There is one inconspicuous lake in the Kirov region, but in the summer, at sunset, it changes. The sky is reflected in its mirror smooth surface. When you see a cloud and as if clinging to the last rays of the sun, loving the sunset with you..
There is one inconspicuous lake in the Kirov region, but in the summer, at sunset, it changes. The sky is reflected in its mirror smooth surface. When you see a cloud and as if clinging to the last rays of the sun, loving the sunset with you..
There is one inconspicuous lake in the Kirov region, but in the summer, at sunset, it changes. The sky is reflected in its mirror smooth surface. When you see a cloud and as if clinging to the last rays of the sun, loving the sunset with you..
There is one inconspicuous lake in the Kirov region, but in the summer, at sunset, it changes. The sky is reflected in its mirror smooth surface. When you see a cloud and as if clinging to the last rays of the sun, loving the sunset with you..
There is one inconspicuous lake in the Kirov region, but in the summer, at sunset, it changes. The sky is reflected in its mirror smooth surface. When you see a cloud and as if clinging to the last rays of the sun, loving the sunset with you..

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Clouds Painting

Daniil Mikhailov

Russia

Painting, Oil on Canvas

Size: 35.4 W x 23.6 H x 0.8 D in

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SOLD
Originally listed for $1,858

1093 Views

31

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ABOUT THE ARTWORK

There is one inconspicuous lake in the Kirov region, but in the summer, at sunset, it changes. The sky is reflected in its mirror smooth surface. When you see a cloud and as if clinging to the last rays of the sun, loving the sunset with you..

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

35.4 W x 23.6 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The basis of my work is an impression. This is an attempt to tune the viewer to the same wave that I was on at the moment when observation turned into contemplation. I like the process itself. I use a soft, raw watercolor undercoat (the first layer) and rough, covering strokes with a palette knife at the second, final stage. This creates light transparent shadows and dense, bright light. For me, some understatement is important, moving away from high detail towards emotional coloring. Participates in local and regional exhibitions and plein airs. Works are in private collections in Russia, England, Canada, USA, Spain and Lithuania.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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