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COGLI L'ATTIMO 5 Painting

nicoletta bagatti

Italy

Painting, Oil on Canvas

Size: 11.8 W x 23.6 H x 1.6 D in

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$760

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About The Artwork

WHEN YOU ARE IN A HURRY TO DO SOMETHING When I painted this work I was really in a creative phase and I was in a hurry, I needed to paint the ideas I had in my head, it was a real emergency... Kind of like when you get it into your head that you have to do something because you know you're going to be sick otherwise, that's all you think about, you're nervous and everything doesn't work and it's all because you don't do that thing... That day I was just in that state. I go to the studio spring-loaded BUT I realise that there are no frames ready and no new ones either. I look around and find a canvas (beyond all mending!!!) that I had already painted at least twice overlapping different paintings. The painting that was there I had never finished because I could not find its balance, I did not like it and so I covered it again. I prepared my canvas ready for my new idea! I worked several weeks on this canvas proceeding as usual, first a quick sketch with chalk, applying oil colour, then glazing with very diluted colour to create the effect of transparency and light that I desire. The subject is a teapot about to break on the ground, I chose fragile objects to express the concept of seize the moment, don't waste time and appreciate what life offers you because of tomorrow there is no certainty. I painted this work on gallery canvas, i.e. on a 4 cm thick canvas and deliberately left it unframed to better convey the idea of the free flight of the teapot who knows where the shards will fall?! signed on the front and back and will be accompanied by a certificate of authenticity for shipping outside the EU it is necessary to wait for authorisation from the Ministry of Cultural Heritage and this may cause a delay of a few days

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 23.6 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Parma, Italy's little Paris, and ever since I was a child I loved spending my afternoons among tempera and brushes, experimenting with my creativity on stones and walls. The inspiration and desire to paint was great, so for six months I attended a drawing course with Maestro Gianni Melegari. His teachings helped me perfect myself and find my way, which I built on rigour and constant commitment. In 1999 came my first major solo exhibition entitled I mnemagoghi, or 'memory arousers'. Memories with immense evocative power were the real protagonists of this artistic series of mine. I subsequently collaborated with several art galleries until, in 2004, the San Lorenzo Art House chose me to do a cultural exchange with a group of US artists. In the summer of that same year, I left for Miami where I had the honour of being present at the Art Center and participating in the group exhibition inspired by the city. My artistic research never stopped and, in September 2009, at the Eleonora D'Andrea Contemporanea Gallery, I presented the series ...A nudo in which I stripped my art and investigated the concept of inner beauty. That event was a success and, a month later, my installation arrived at the Museum of Contemporary Art in Lucca. Over the years my way of making art has changed a lot, but what has always remained constant is the modus operandi. I use an ancient technique, that of oil painting, and I treat my works in every part, starting with the construction of the support. I highlight the parts of the painting that serve me to express the message I want and leave others incomplete to give free interpretation to those who observe them. My free and constantly evolving art gives birth to works pervaded by an original and intense poetics that, between silence and energy, I dedicate to the power of life. I never strive for perfection: it is the depiction of tensions and details rich in material touches that gives strength and meaning to my compositions. I like to work with themes, even very different ones, in which I put my whole self in order to stimulate my imagination and that of the observer without reserve. Through painting I feel I can completely express myself, my inner world, my fears, my dreams.      

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