Combin #3 Painting

For the best meaningful research of the work proposed by Salvatore Mauro, I would without hesitation mention some expressive forms that originated in the 60s, in particular that type of object works and high technological content as in the conceptual of Joseph Kosuth, Dan Flavin, Maurizio Nannucci, but with a procedural cut close to Merz and a neo-futuristic idea to Marco Lodoli, a reference that identifies a Mediterranean linguistic root. But there is also the hypermodern transliteration of objects in a language that wants to become an assemblage of signs and learned communication in the manner of the 2000s, relating the public and the artist's interventions Domenico Scudero