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Confetti XXV Painting

Amy van Helden

United States

Painting, Acrylic on Paper

Size: 10 W x 14 H x 0.1 D in

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$320

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About The Artwork

The twenty-fifth in the Confetti series, this watercolor is an ensemble of watercolor and acrylic paint on watercolor paper. The background is watercolor and the diamond shapes on top have been painted in acrylics. What inspired the confetti series were childhood experiences of discovering confetti in front of churches and reveling in the colors and shapes that had fallen onto the sidewalk. It was sheer joy! I have always been attracted to colors and shapes as far back as I can remember!

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:10 W x 14 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an American artist and visual arts teacher. After teaching Visual Arts at BAICA in Buenos Aires, Argentina, and the Future Leadership Academy in Hainan, China, I am now teaching at the Cornerstone School in Ocala, Florida. I obtained a BFA degree with a concentration in painting and printmaking from the University of Michigan. I had my first individual art show in 1991 at the Luigi Marrozzini Gallery in Old San Juan, Puerto Rico, where I lived for 11 years before moving to Argentina in 1997. I have had numerous individual art shows in Buenos Aires, Argentina, and have participated in many collective exhibitions and art fairs. My artwork is found in private collections in the United States, Puerto Rico, Argentina, Mexico, Guatemala, Panama, Chile, Peru and Uruguay. I define my work as chromatic geometry, a trajectory I have followed relentlessly since 1991. I was awarded a Pollock-Krasner foundation grant for the year 2013. I received the 2012 Arte Espacio prize in Buenos Aires, Argentina. Artistic statement: My visual language is within the realm of geometric abstraction, expressly chromatic geometry. I find this to be the perfect milieu in which I can work with simple forms, without distractions, and in which I can experiment with the pictorial elements that inspire me the most: color, texture, pattern and movement. I have been inspired by indigenous textiles, especially from Guatemala, a place I have visited often. In my paintings and watercolors I strive to create a kind of visual and musical poetry of color and movement. I like to call this poetry of color "coloreography" because it combines, precisely, color and choreography.

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