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Painting, Watercolor on Paper
Size: 27 W x 34 H x 0.3 D in
Ships in a Box
497 Views
11
Artist featured in a collection
I came home late from a sculpture session at UALR, working on my "Go Ask Alice" sculpture, so the last thing I was thinking about was landscape. But when I got out of the car to shut the gate, I looked up.... Holy shit! I was totally immobilized by a sky full of stars. It was March of 2012 and Venus and Jupiter were in conjunction, 3 degrees apart. Arching over them to the south were Taurus the bull and Orion - and then a car came over the hill up the road, its headlights completing the parabola. Bingo. This is a perfect example of how I am ambushed by an image. I'm not expecting it, not out looking for it, thinking of something else, and then bam! There it is. Star gazers may like this paintings for its astronomical accuracy - except for my enlargement of the planets. Artistic license. I made this watercolor, an oil and a linocut from this ambush. This is on heavy watercolor paper, 30 x 23 inches, mounted on 3/16" archival foamcore, 34 x 27 inches, ready for framing. WATERCOLORS When I returned to representational art in the late '70s, watercolor was my first love - probably because it was so different in technique from the abstract oils I had done back in Florida eight years earlier. I became a transparent watercolor purist, working from light to dark, no opaque paint, ever. I used masking fluid in all kinds devious ways to achieve intricate highlights I couldn't get by painting around them. I got over the purism eventually, and sumi dishes from Japan became my preferred watercolors. Some of the lighter colors are more translucent than transparent and can be almost opaque if dry-brushed, allowing me to use them on black paper a few times - something unheard of the watercolor world! But mostly I use white paper for light, and I still use the masking fluid when necessary. I try to get the same high contrast, dramatic chiaroscuro effects in my watercolors as in my oil paintings.
Watercolor on Paper
One-of-a-kind Artwork
27 W x 34 H x 0.3 D in
Not Framed
Not applicable
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"I was a loner as a kid, an only child, the kind that grow up to be terrorists, bank robbers or artists. I wasn't interested in terror but tried robbery, stole a watch in the third grade but got caught and took up art. They haven't caught me at that yet." (Warren Criswell) --- “I am saying that a journey is called that because you cannot know what you will discover on the journey, what you will do, what you will find, or what you find will do to you.” (James Baldwin) --- Warren Criswell was born in West Palm Beach, Florida in 1936 and has lived in Arkansas with his wife Janet since their bus broke down there in 1978. Primarily a self-taught painter, Criswell is also a printmaker, sculptor and animator. He has had 41 solo exhibitions in the United States and one in Taiwan. His work has been included in 77 group exhibitions in New York, Atlanta, Washington DC, Arkansas, Virginia, North Carolina, Germany and Taiwan, and is represented in the permanent collections of many institutions, including: The Arkansas Arts Center; the McKissick Museum of the University of South Carolina; The Morris Museum of Art, Augusta, GA; Historic Arkansas Museum, Little Rock, AR; the University of Arkansas at Little Rock; Capital Arts Center, Taipei, China; the University of Central Arkansas; Hendrix College; the Center for Arts & Science of SE Arkansas; and the Central Arkansas Library System, as well as in private and corporate collections in the United States, Europe and Asia. --- In 2021 he won the Arksnsas Governor's Award for Individual artist. In 1996 he was awarded a fellowship grant for painting and works on paper by the Mid-America Arts Alliance and the National Endowment for the Arts, and in 2003 an Individual Artist Fellowship Grant for painting and drawing by the Arkansas Arts Council. Warren Criswell is currently represented by M2 Gallery in Little Rock and Saatchi Art.
Artist featured by Saatchi Art in a collection
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