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mixed media on canvas
mixed media on canvas
There is all around us today a kind of fantastic conspicuousness of consumption and abundance, constituted by the multiplication of objects, services and material goods, and this represents something of a fundamental mutation in the ecology of the human species. Strictly speaking, the humans of the age of affluence are surrounded not so much by other human beings, as they were in all previous ages, but by objects. Their daily dealings are now not so much with their fellow men, but rather-- on a rising statistical curve -- with the reception and manipulation of goods and messages. This runs from the very complex organization of the household, with its dozens of technical slaves, to street furniture and the whole material machinery of communication; from professional activities to the permanent spectacle of the celebration of the object in advertising and the hundreds of daily messages from the mass media; from the minor proliferation of vaguely obsessional gadgetry to the symbolic psychodramas fuelled by the nocturnal objects which come to haunt us even in our dreams. The two concepts `environment' and `ambience' have doubtless only enjoyed such a vogue since we have come to live not so much alongside other human beings -- in their physical presence and the presence of their speech -- as beneath the mute gaze of mesmerizing, obedient objects which endlessly repeat the same refrain: that of our dumbfounded power, our virtual affluence, our absence one from another. Just as the wolf-child became a wolf by living among wolves, so we too are slowly becoming functional. We live by object time: by this I mean that we live at the pace of objects, live to the rhythm of their ceaseless succession. Today, it is we who watch them as they are born, grow to maturity and die, whereas in all previous civilizations it was timeless objects, instruments or monuments which outlived the generations of human beings.
Objects are neither a flora nor a fauna. And yet they do indeed give the impression of a proliferating vegetation, a jungle in which the new wild man of modern times has difficulty recovering the reflexes of civilization.
 
From The Consumer Society
Jean Baudrillard
There is all around us today a kind of fantastic conspicuousness of consumption and abundance, constituted by the multiplication of objects, services and material goods, and this represents something of a fundamental mutation in the ecology of the human species. Strictly speaking, the humans of the age of affluence are surrounded not so much by other human beings, as they were in all previous ages, but by objects. Their daily dealings are now not so much with their fellow men, but rather-- on a rising statistical curve -- with the reception and manipulation of goods and messages. This runs from the very complex organization of the household, with its dozens of technical slaves, to street furniture and the whole material machinery of communication; from professional activities to the permanent spectacle of the celebration of the object in advertising and the hundreds of daily messages from the mass media; from the minor proliferation of vaguely obsessional gadgetry to the symbolic psychodramas fuelled by the nocturnal objects which come to haunt us even in our dreams. The two concepts `environment' and `ambience' have doubtless only enjoyed such a vogue since we have come to live not so much alongside other human beings -- in their physical presence and the presence of their speech -- as beneath the mute gaze of mesmerizing, obedient objects which endlessly repeat the same refrain: that of our dumbfounded power, our virtual affluence, our absence one from another. Just as the wolf-child became a wolf by living among wolves, so we too are slowly becoming functional. We live by object time: by this I mean that we live at the pace of objects, live to the rhythm of their ceaseless succession. Today, it is we who watch them as they are born, grow to maturity and die, whereas in all previous civilizations it was timeless objects, instruments or monuments which outlived the generations of human beings.
Objects are neither a flora nor a fauna. And yet they do indeed give the impression of a proliferating vegetation, a jungle in which the new wild man of modern times has difficulty recovering the reflexes of civilization.
 
From The Consumer Society
Jean Baudrillard
There is all around us today a kind of fantastic conspicuousness of consumption and abundance, constituted by the multiplication of objects, services and material goods, and this represents something of a fundamental mutation in the ecology of the human species. Strictly speaking, the humans of the age of affluence are surrounded not so much by other human beings, as they were in all previous ages, but by objects. Their daily dealings are now not so much with their fellow men, but rather-- on a rising statistical curve -- with the reception and manipulation of goods and messages. This runs from the very complex organization of the household, with its dozens of technical slaves, to street furniture and the whole material machinery of communication; from professional activities to the permanent spectacle of the celebration of the object in advertising and the hundreds of daily messages from the mass media; from the minor proliferation of vaguely obsessional gadgetry to the symbolic psychodramas fuelled by the nocturnal objects which come to haunt us even in our dreams. The two concepts `environment' and `ambience' have doubtless only enjoyed such a vogue since we have come to live not so much alongside other human beings -- in their physical presence and the presence of their speech -- as beneath the mute gaze of mesmerizing, obedient objects which endlessly repeat the same refrain: that of our dumbfounded power, our virtual affluence, our absence one from another. Just as the wolf-child became a wolf by living among wolves, so we too are slowly becoming functional. We live by object time: by this I mean that we live at the pace of objects, live to the rhythm of their ceaseless succession. Today, it is we who watch them as they are born, grow to maturity and die, whereas in all previous civilizations it was timeless objects, instruments or monuments which outlived the generations of human beings.
Objects are neither a flora nor a fauna. And yet they do indeed give the impression of a proliferating vegetation, a jungle in which the new wild man of modern times has difficulty recovering the reflexes of civilization.
 
From The Consumer Society
Jean Baudrillard
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Consumersim collection Painting

Nasrin Barekat

Kenya

Painting, Acrylic on Canvas

Size: 39.4 W x 47.2 H x 0.8 D in

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About The Artwork

There is all around us today a kind of fantastic conspicuousness of consumption and abundance, constituted by the multiplication of objects, services and material goods, and this represents something of a fundamental mutation in the ecology of the human species. Strictly speaking, the humans of the age of affluence are surrounded not so much by other human beings, as they were in all previous ages, but by objects. Their daily dealings are now not so much with their fellow men, but rather-- on a rising statistical curve -- with the reception and manipulation of goods and messages. This runs from the very complex organization of the household, with its dozens of technical slaves, to street furniture and the whole material machinery of communication; from professional activities to the permanent spectacle of the celebration of the object in advertising and the hundreds of daily messages from the mass media; from the minor proliferation of vaguely obsessional gadgetry to the symbolic psychodramas fuelled by the nocturnal objects which come to haunt us even in our dreams. The two concepts `environment' and `ambience' have doubtless only enjoyed such a vogue since we have come to live not so much alongside other human beings -- in their physical presence and the presence of their speech -- as beneath the mute gaze of mesmerizing, obedient objects which endlessly repeat the same refrain: that of our dumbfounded power, our virtual affluence, our absence one from another. Just as the wolf-child became a wolf by living among wolves, so we too are slowly becoming functional. We live by object time: by this I mean that we live at the pace of objects, live to the rhythm of their ceaseless succession. Today, it is we who watch them as they are born, grow to maturity and die, whereas in all previous civilizations it was timeless objects, instruments or monuments which outlived the generations of human beings. Objects are neither a flora nor a fauna. And yet they do indeed give the impression of a proliferating vegetation, a jungle in which the new wild man of modern times has difficulty recovering the reflexes of civilization.   From The Consumer Society Jean Baudrillard

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 47.2 H x 0.8 D in

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Solo painting exhibition - America (California, Art People Gallery ) / Solo painting exhibition - Africa (Kenya, Nairobi ) / More than twenty group exhibitions around the world Solo painting exhibition - Iran (Aliha gallery) / Solo painting exhibition - Iran (Homa art Gallery ) / Solo painting exhibition - Iran (Laleh Gallery ) / Two Group exhibition in America (California ) / Group exhibition - United Arab Emirate (Dubai) / Group exhibition - Canada (Toronto) / Group exhibition - Oman (Muscat ) / Group exhibition - Turkey (Izmir ) / Member of Painters Association of Iran / International art activities from 2010 / Participated in several international competitions and get points / ArtExpoTehran Executive Manager

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