VIEW IN MY ROOM
South Korea
Painting, Acrylic on Canvas
Size: 11.8 W x 11.8 H x 2 D in
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This work begins with Betty of Gerhard Richter. Richter's work Betty looks like a woman staring somewhere. I continue my gaze as my work while staring at his work staring somewhere.The work that continue with the gaze is transferred to another place as the gaze, and the gaze continues. The object of gaze is not perfect. Some parts of the work may not be clear, the shape may be unclear, or may not be visible. Everything is correlated with each other, and the interaction takes place as a gaze. The people we see are looking at different objects, and that objects are looking at different things, too. Through this continuity, questions arise about what is seen. The color or form in the picture is restrained. This is especially due to the influence of the German painting image of Richter, which began to reject all meaning regime. Therefore, there is a color and composition, but it exists only as an object of gaze and does not contain any meaning or emphasis. I just stare at what I see and put it in my work. and I only need what I see. Also, in this result, you can see some small changes. This is a small change that occurs within our gaze, and that continues, everything comes true. This can also be said to be the result of starting and transferring from my gaze.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:11.8 W x 11.8 H x 2 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
I think and work on the boundaries between what I see and what I can't see. In particular, I work mainly on boundaries between arts or boundaries of reality, and I do not prefer a particular genre.. Je pense et travaille sur la frontière entre ce que l'on peux voir et ce que l'on ne peut pas voir. En particulier, je travaille principalement sur les frontières entre les arts, les frontières de la réalité et Je ne préfère pas un genre particulier..
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