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Bas-relief 2019, 160х124cm Expanded polystyrene, acrylic, gold enamel, author's technique. Sacred geometry and symbols have long played an important role in shaping the paradigm of worldview. As the keys to secret knowledge, this "peculiar language" has long been used by many mystics, alchemists and researchers. All of them, in one way or another, tried to understand the majesty of the Creator, who "built" the world according to the laws of this same geometry. In my artistic practice, I like to work with volume. My author’s technique of bas-reliefs consists in combining medieval graphics, calligraphy and elements deepened inside the canvas. I love laconic colors and use a lot of gold paint to emphasize the main idea of Alchemy - getting gold, as a prototype of the Philosopher's Stone. Each such work is created manually and exists in a single copy.
Bas-relief 2019, 160х124cm Expanded polystyrene, acrylic, gold enamel, author's technique. Sacred geometry and symbols have long played an important role in shaping the paradigm of worldview. As the keys to secret knowledge, this "peculiar language" has long been used by many mystics, alchemists and researchers. All of them, in one way or another, tried to understand the majesty of the Creator, who "built" the world according to the laws of this same geometry. In my artistic practice, I like to work with volume. My author’s technique of bas-reliefs consists in combining medieval graphics, calligraphy and elements deepened inside the canvas. I love laconic colors and use a lot of gold paint to emphasize the main idea of Alchemy - getting gold, as a prototype of the Philosopher's Stone. Each such work is created manually and exists in a single copy.
Bas-relief 2019, 160х124cm Expanded polystyrene, acrylic, gold enamel, author's technique. Sacred geometry and symbols have long played an important role in shaping the paradigm of worldview. As the keys to secret knowledge, this "peculiar language" has long been used by many mystics, alchemists and researchers. All of them, in one way or another, tried to understand the majesty of the Creator, who "built" the world according to the laws of this same geometry. In my artistic practice, I like to work with volume. My author’s technique of bas-reliefs consists in combining medieval graphics, calligraphy and elements deepened inside the canvas. I love laconic colors and use a lot of gold paint to emphasize the main idea of Alchemy - getting gold, as a prototype of the Philosopher's Stone. Each such work is created manually and exists in a single copy.
Bas-relief 2019, 160х124cm Expanded polystyrene, acrylic, gold enamel, author's technique. Sacred geometry and symbols have long played an important role in shaping the paradigm of worldview. As the keys to secret knowledge, this "peculiar language" has long been used by many mystics, alchemists and researchers. All of them, in one way or another, tried to understand the majesty of the Creator, who "built" the world according to the laws of this same geometry. In my artistic practice, I like to work with volume. My author’s technique of bas-reliefs consists in combining medieval graphics, calligraphy and elements deepened inside the canvas. I love laconic colors and use a lot of gold paint to emphasize the main idea of Alchemy - getting gold, as a prototype of the Philosopher's Stone. Each such work is created manually and exists in a single copy.
Bas-relief 2019, 160х124cm Expanded polystyrene, acrylic, gold enamel, author's technique. Sacred geometry and symbols have long played an important role in shaping the paradigm of worldview. As the keys to secret knowledge, this "peculiar language" has long been used by many mystics, alchemists and researchers. All of them, in one way or another, tried to understand the majesty of the Creator, who "built" the world according to the laws of this same geometry. In my artistic practice, I like to work with volume. My author’s technique of bas-reliefs consists in combining medieval graphics, calligraphy and elements deepened inside the canvas. I love laconic colors and use a lot of gold paint to emphasize the main idea of Alchemy - getting gold, as a prototype of the Philosopher's Stone. Each such work is created manually and exists in a single copy.

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Creator principle Painting

Astian Rey

Ukraine

Painting, Acrylic on Canvas

Size: 48.8 W x 63 H x 1.6 D in

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$4,850

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ABOUT THE ARTWORK

Bas-relief 2019, 160х124cm Expanded polystyrene, acrylic, gold enamel, author's technique. Sacred geometry and symbols have long played an important role in shaping the paradigm of worldview. As the keys to secret knowledge, this "peculiar language" has long been used by many mystics, alchemists and researchers. All of them, in one way or another, tried to understand the majesty of the Creator, who "built" the world according to the laws of this same geometry. In my artistic practice, I like to work with volume. My author’s technique of bas-reliefs consists in combining medieval graphics, calligraphy and elements deepened inside the canvas. I love laconic colors and use a lot of gold paint to emphasize the main idea of Alchemy - getting gold, as a prototype of the Philosopher's Stone. Each such work is created manually and exists in a single copy.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

48.8 W x 63 H x 1.6 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ASTIAN REY Born in 1987 in Kiev, Ukraine. Astian Rey is the founder of his own direction of art - “Sacred Brutalism”. In his work he explores themes of religion, mysticism and the occult, as well as their role in the development of humanity. Astian is known for his interdisciplinary approach to art, including sculpture, installation, literature and musical-performative experiments. He is the author of the Codex Reptilius project, which is an artificially created mystical cult with its own book, sacred objects and music album. The works are in private and public collections in Ukraine, the USA and Europe.

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