VIEW IN MY ROOM
Painting, Oil on Canvas
Size: 7.9 W x 11.8 H x 0.8 D in
Ships in a Box
There are no metaphors or secret senses in this still life. I didn’t put them in and I did nothing to allow them to be seen there. But this doesn’t mean that there is no sense in this painting. I just love daisies and this is enough for me to desire to paint them, and this is what I did when I saw the jar filled with them. I simply wished to make something so that the paint would stop being paint and would turn into the daisies, to depict the thing that attracted me to them, and do it so that I would be satisfied with the result myself!
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:7.9 W x 11.8 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Recently I’ve been interested in the question: how to paint so that the painting would give such strong feelings as the music of Bach or Schnittke? It is the problem I try to solve when I paint my pictures – how to fully express with paints the things that give rise to my emotions. How to express the full variety of these feelings turns out to be what is most difficult. It can be silent contemplative joy, nervous waiting or union of beauty and dramatic effect. That’s why beauty and convergence with nature for me are only some of the means of expression and the revelation of the image. Have you noticed how weather influences your mood, how objects hold memories about what they were associated with, how the world around us influences our emotions, senses, feelings? Compare your mood when warm sunbeams wake you up with when the whole sky is clouded over and rain is pattering on the windowsill. In this sense nature is a splendid figurative method. All I have to do is use it right and to combine it with all the other, no less significant expressive methods, that I control, which will help me to convey exactly what I want to share. I want to deal with such paintings, in contact with which a wave of searing pain will rise to the throat or feelings of joy or peace will overflow; that a viewer, seeing my picture, will live through it with me as its author and performer.
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